SUN TZU QUOTES'..."You have to believe in yourself."

Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

We do not claim that this site is a be all and means to an end, but to help guide and learn how the entertainment industry work.

Please do not hesitate to contact us for any questions.

Thank you,

Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

Email: brucedumbdog@gmail.com Dumb Dog Production Phone: +1 319-930-7978 Dumb Dog Productions LLC / Bus Lic.: 5084725 https://dumbdogproductions.com/ https://dumbdogproductionsllc.blogspot.com/ https://www.facebook.com/DumbDogProductionsLLC/

Friday, April 26, 2019

KAAPSE LIQUEURS MICHELANGELO AWARDS/ Cape Town South Africa

Kaapse Liqueurs / Photo Credits: Letha Malan Oelz

KAAPSE LIQUEURS MICHELANGELO AWARDS/ Cape Town South Africa

Letha is so honored to represent Kaapse Liqueurs and their signature line of liqueurs. Highlighting Kaapse Liqueurs Gin Buchu, a Michelangelo International Wine & Spirits Award Silver Medal winner.

Kaapse Liqueurs

Artisan, Local and Natural
The driving force behind the company is the passion, hard work and expertise of Cape Town born and bred Carol Mills. It is through her efforts that the liqueurs have remained artisan, local and natural.

Based in the Western Cape, the business has been built on the very popular “market industry” which has taken off in the area. The casual nature of this phenomenon has allowed for extensive interaction with customers and generated very positive reaction and feedback.

Traditional liqueurs like Kaapse Liqueurs can enhance lifestyles, forming part of the celebration of relationships, get-togethers and festive community eating. Food pairings are a passion of the brands and the sensory experiences which can be created with the liqueurs are endless.

Michelangelo International Wine & Spirits Awards

1997 
The Michelangelo International Wine & Spirits Awards was established in 1997 to offer South African producers the opportunity of having their wines adjudicated locally by a highly experienced and respected panel of professionals from around the globe. Our primary objective was – and to a great extent still remains – to support local wine and spirits producers who are targeting international markets for exports and, through our international judges, are able to determine whether their wines will be well received both abroad and locally.

2003
Since 2003 the competition has received an increasing number of entries from international wine producers; 2003 marked the start of a new era for the competition when the Michelangelo International Wine Awards moved to Stellenbosch, the main wine producing area of South Africa. During that year the organizer’s introduced the first of a number of trophies, namely the Grand Prix trophy for the top scoring wine, the Pinotage trophy and a trophy for the best Garagiste (Boutique) wine entered into the competition.

2019
Now, in its 24th year, the competition remains unique in South Africa, in that all judges are hand-picked wine experts, representing all seven continents. Since the start of the competition in 1997, more than 170 different judges from 46 countries (more recently including Russia, Romania and China) have served on the panel. All entries are judged blind by panels of 5 or 6 judges, using the 100-point international recognized OIV judging system.

Contact Michelangelo Awards
Email: at admin@michelangeloawards.com
Phone: +27 (0) 79 516 9018
Website: https://maiwsa.co.za

Sample Deliveries
Michelangelo Warehouse
Longridge Wine Estate
Between Somerset West & Stellenbosch – R44 Turnoff: (Opposite Cavalli Estate Main Entrance)
Somerset West, Cape Town, 7613

Longridge Wine Estate
Helderbergpad, off the R44 between Somerset West &, Helderbergpad
Somerset West, Cape Town, 7613

Sticker Collection
Label Mountain / Fortitude Labels
Unit 3, The Woodmill, Vredenburg Rd, Stellenbosch

Kaapse Liqueurs
Email: info@kaapseliqueurs.com
Phone: +27 (0) 83 473 5038







Have a fantastic New Year.

Letha
Letha (Malan) Oelz (You can contact Letha at: oelzletha@gmail.com... please follow me at https://www.finderzkeeperz.co.za/2019/04/27/kaapse-liqueurs-michelangelo-awards-cape-town-south-africa/






Michelangelo International Wine & Spirits Awards / Photo Credit: MAIWAS
Kaapse Liqueurs / Photo Credits: Letha Malan Oelz – Kaapse Liqueurs
Michelangelo International Wine & Spirits Awards Silver / Photo Credit: Paul John Whisky

Saturday, April 20, 2019

WHAT IS THE ALLIANCE OF MOTION PICTURE AND TELEVISION PRODUCERS? (In the Entertainment industry.)

CSA Casting Society of America / Photo Credit: TV Week - CSA

WHAT IS THE ALLIANCE OF MOTION PICTURE AND TELEVISION PRODUCERS? (In the Entertainment industry.)         


Alliance of Motion Picture and Television Producers?   

The Casting Society of America (CSA) was created in February of 1982 with the intent of establishing a recognized standard of professionalism in the casting field and providing its members with a support organization to further their goals and protect their common interests. The founding members of the organization (which at the time was called the American Society of Casting Directors) were Mike Fenton, Al Onorato and Joe Reich. By 1983, membership had grown to 39 and CSA began publishing a monthly newsletter for its members, reporting on casting-related news of interest.

CSA currently boasts close to 1000 members. CSA Casting Directors and Associates work around the world, with members based in the United States, Canada, Europe, Australia and Africa. Today CSA acts as a global resource for producers, directors and creative teams seeking casting professionals, promotes the image of casting directors and associates worldwide, engages in a number of charitable activities, and supports its members by sharing important and helpful professional information of common interest.

The society is not to be confused with an industry union. The Teamsters represent most (though not all) of the major casting directors in Hollywood. Members use the post-nominal letters "CSA"

Membership eligibility
The following requirements must be met in order to join the CSA:

Sponsorship letters from at least two current members of the CSA…
Two years of screen or stage credit as Primary Casting Director…

Casting directors who are also personal managers are not eligible for membership in the CSA.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

CSA Casting Society of America / Photo Credit: TV Week - CSA

WHAT IS THE ALLIANCE OF MOTION PICTURE AND TELEVISION PRODUCERS? (In the Entertainment industry.)

Alliance of Motion Picture and Television Producers / Photo Credit: AMPTP

WHAT IS THE ALLIANCE OF MOTION PICTURE AND TELEVISION PRODUCERS? (In the Entertainment industry.)         


Alliance of Motion Picture and Television Producers?   

Since 1982, the Alliance of Motion Picture and Television Producers (AMPTP) has been the trade association responsible for negotiating virtually all industry-wide guild and union contracts, including those with American Federation of Musicians (AFM); Directors Guild of America (DGA); International Alliance of Theatrical Stage Employees (IATSE); International Brotherhood of Electrical Workers (IBEW); Laborers Local 724; Screen Actors Guild-American Federation of Television and Radio Artists (SAG-AFTRA); Teamsters, Local #399; and Writers Guild of America (WGA) among others.

The AMPTP, the entertainment industry's official collective bargaining representative, negotiates 58 industry-wide collective bargaining agreements on behalf of hundreds of motion picture and television producers.

The Alliance of Motion Picture and Television Producers (AMPTP) is based in Sherman Oaks, California that represents over 350 American television and film production companies in collective bargaining negotiations with entertainment industry trade unions that include, among others, SAG-AFTRA, the Directors Guild of America, the Writers Guild of America, West, the Writers Guild of America, East, the American Federation of Musicians, and the International Alliance of Theatrical Stage Employees.

The AMPTP was founded in 1924 as the Association of Motion Picture Producers, or AMPP. According to The Film Encyclopedia, "it was renamed the Association of Motion Picture and Television Producers in 1964 to reflect its merger with the Alliance of Television Film Producers [founded in 1951]. In 1975, two members of the Association, Paramount and Universal, left to form a new organization, the Alliance. In 1982, the Alliance and AMPTP. Merged to form the Alliance of Motion Picture and Television Producers."

As the entertainment industry's official collective bargaining representative, the AMPTP, like the Motion Picture Association of America (MPAA), is a key trade association for major film and television producers in the United States. The AMPTP currently negotiates 80 industry-wide collective bargaining agreements on behalf of over 350 motion picture and television producers. AMPTP member companies include the major motion picture studios (including Paramount Pictures, Sony Pictures, Twentieth Century Fox, Universal Pictures, Walt Disney Pictures and Warner Bros. Pictures), the principal broadcast television networks (including ABC, CBS, FOX and NBC), certain cable television networks, and other independent film and television production companies.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Alliance of Motion Picture and Television Producers / Photo Credit: AMPTP

WHAT IS THE AMERICAN FILM INSTITUTE? (In the Entertainment industry.)


American Film Institute / Photo Credit: AFI

WHAT IS THE AMERICAN FILM INSTITUTE? (In the Entertainment industry.)         


What is the American Film Institute?   

The American Film Institute (AFI) is an American film organization that educates filmmakers and honors the heritage of the motion picture arts in the United States. The institute is composed of leaders from the film, entertainment, business, and academic communities. AFI is supported by private funding and public membership fees.

From the American Film Institute
The American Film Institute is America's promise to preserve the heritage of the motion picture, to honor the artists and their work and to educate the next generation of storytellers. As a nonprofit educational arts organization, AFI provides leadership in film and television and is dedicated to initiatives that engage the past, the present and the future of the moving image arts.

The American Film Institute began as a presidential mandate to establish film as essential to American identity, to elevate the nation's greatest art form to its deserving place in history. AFI grew from the seeds planted in the White House Rose Garden by President Lyndon B. Johnson in 1965 to a fully rounded Institute that has defined American film for more than half a century — with the mission to preserve the heritage of the motion picture, to honor the artists and their work and to educate the next generation of storytellers.

AFI began in 1967, with Gregory Peck named first chair of the Board of Trustees and George Stevens, Jr., its director and CEO, and a board that featured film luminaries and masters including Francis Ford Coppola, Sidney Poitier, Arthur Schlesinger, Jr., and Jack Valenti. Today, the Board continues to be comprised of such artists and icons as Halle Berry, James L. Brooks, Kathleen Kennedy, Eva Longoria, Shonda Rhimes, Steven Spielberg and Ed Zwick.

Until the creation of AFI — well before the days of IMDb — there was no complete and comprehensive index of motion pictures. AFI began, in 1968, recording the first 100 years of American film with the AFI Catalog of Feature Films— the first-ever scholarly listing of films, with vetted information about the existence, availability and sources of films already produced, spanning the entirety of the art form since 1893.

The AFI Catalog marked the beginning of the Institute's efforts to preserve the heritage of American film. Sparking the movement for film preservation in the U.S., AFI began its first restoration in 1973, with director Frank Capra's 1937 classic LOST HORIZON. Today, the Library of Congress houses the AFI Collection of more than 27,500 essential and rare titles gathered by the Institute throughout the past five decades.

The Institute rose to meet the demands of the changing climate and to spread the knowledge of American film to the nation. In 1969, AFI established the AFI Conservatory, a graduate-level program to train narrative filmmakers. The hands-on, learning-by-doing program to this day offers training to future storytellers from a dedicated faculty from the film and television communities, all currently working in the industry, and including masters of the art form.

In response to an increased need for diversity in the filmmaking community, AFI founded the AFI Directing Workshop for Women — one of the very first programs of its kind anywhere in the world — in 1974. It is a free, hands-on training program committed to increasing the number of women working professionally in the moving image arts.

The highest honor for a career in American film, the AFI Life Achievement Award began in 1973 as a celebration of an individual who has greatly contributed to the enrichment of the art form, and therefore to American culture. Following inaugural honoree John Ford, annual recipients of this highest honor for a career in film have included Orson Welles, Alfred Hitchcock, John Huston, Billy Wilder, Sidney Poitier, Elizabeth Taylor, Steven Spielberg, Martin Scorsese, Morgan Freeman, Shirley MacLaine and John Williams.

In 1987, AFI held the first AFI Los Angeles International Film Festival in Hollywood — now AFI FEST presented by Audi — to further celebrate the accomplishments of artists devoted to the ever-changing form. The festival remains part of AFI's bicoastal exhibition efforts, with AFI FEST bringing films new and classic, global and domestic, to audiences in the heart of Hollywood.

Across the country, AFI has established a preeminent film presence, with the AFI Silver Theatre and Cultural Center — originally located at the Kennedy Center for the Performing Arts in Washington, DC, before moving to Silver Spring, MD — offering year-round retrospective and cutting-edge, curated programming. In DC, AFI established its first documentary film festival in 1999, now known as AFI DOCS. Each year, the festival celebrates the highest standards in documentary filmmaking, convening U.S. policymakers with filmmakers from all over the world in the heart of our nation's capital and at the AFI Silver.

AFI, in 1998, unveiled a national celebration of the cinema centennial in AFI's 100 Years…100 Movies, a definitive selection of the greatest 100 films of all time, taking into account each movie's historical significance, cultural impact and contributions to the evolution of film technique. Following an updated 10th Anniversary of the list in 2007, the Institute then created AFI's 10 Top 10, raising a necessary spotlight on overlooked or undervalued genres ranging from Fantasy to Gangster, Courtroom Drama to Epic.

In 2000, AFI hosted the first AFI AWARDS, the only national honor for the entertainment community's creative ensembles both in front of and behind the camera, acknowledging the collaborative nature of movies and television. The celebration launched as an almanac aimed at honoring excellence in the moving image during the 21st century and to be referenced time and again by scholars as well as the general public.

In the new millennium, AFI partnered with the White House Student Film Festival, inviting K-12 students to screen their films in the East Room of the White House. The world-renowned AFI Conservatory continues to train storytellers who work at award-winning levels. In 2015, the Conservatory made history with its thesis films, which swept the entire narrative category of the Student Academy Awards. Altogether, AFI alumni have won 30 Academy Awards® and received 149 nominations.

AFI membership is open to the public and relies on the generous financial support from people like you to provide funding for AFI programs and initiatives.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

American Film Institute / Photo Credit: AFI

WHAT IS THE COSTUME DESIGNERS GUILD? (In the Entertainment industry.)

Costume Designers Guild / Photo Credit: Talk Business 360 TV - CDA

WHAT IS THE COSTUME DESIGNERS GUILD? (In the Entertainment industry.)         


What is the Costume Designers Guild?   

Costume Designers Guild
The Costume Designers Guild (CDG) is Local 892 of the International Alliance of Theatrical and Stage Employees (I.A.T.S.E.). The Guild represents Costume Designers, Assistant Costume Designers and Costume Illustrators working at the highest levels of skill and expertise in motion pictures, television and commercials. The CDG promotes and protects the economic status of its members while improving working conditions and raising standards for our craft.

The Costume Designers Guild – Overview
You may be wondering, “What does a COSTUME DESIGNER do?” A COSTUME DESIGNER transforms the words of the script into visual imagery and creates the look of a character. Costume design helps to create believable characters and supports the narrative in a fictional universe. In other words, costume design is storytelling. We’ll be showing you some of the art of this fascinating field. And we’ll be introducing you to some of the leaders in the craft who help to bring the fine art of storytelling to the screen.

A COSTUME DESIGNER creates the look of a character in film or television. This requires detailed research and director’s vision. Often, the costumes set fashion trends that inspire fashion designers and impact world culture.

THE COSTUME DESIGNERS GUILD is Local 892 of the International Alliance of Theatrical and Stage Employees (I.A.T.S.E.). The Guild represents COSTUME DESIGNERS, ASSISTANT COSTUME DESIGNERS and COSTUME ILLUSTRATORS working at the highest levels of skill and expertise in motion pictures, television and commercials. The CDG promotes and protects the economic status of its members while improving working conditions and raising standards for our craft. The Guild’s first and foremost function is to protect its members. We do this by enforcing contracts and intervening on the member’s behalf with the employer and filing grievances, when appropriate and necessary. We also negotiate basic minimum wage from which the member then negotiates upwards with the producer.  Members are encouraged to call the Guild office at any time for assistance. The office staff is available to help Guild members interpret and understand their contracts.

The Costume Designers Guild – A Brief History
The COSTUME DESIGNERS GUILD aspires to raise the stature of the Costume Design profession within the entertainment community commensurate with the incalculable contribution Costume Designers make to each motion picture, television, or commercial, illuminating the characters with accuracy and integrity, thereby enhancing the story.

The Costume Designers Guild was founded in 1953 by a group of 30 passionate motion picture Costume Designers who found strength in joining forces, responding to the changing needs of the motion picture industry. Today its membership includes approximately 875 Costume Designers, Commercial Costume Designers/Stylists, Assistant Costume Designers, and Illustrators working throughout the world in every kind of moving picture including motion picture, television, animation, commercials, and music video.

Approximately 700 members live in the greater Los Angeles Area. From 1953 to 1976, at the close of the “Golden Age” of Hollywood, the Guild functioned as an independent organization, promoting costume designers and negotiating independent contracts with the major studios to protect members with a minimum wage and health plan as the transition was made from studio employee to freelance designer. The demands of television production schedules also influenced the development of the Guild as changes occurred in the television industry during this period.

In 1976, when its membership grew to nearly 100, the Costume Designers Guild affiliated with The International Alliance of Theatrical Stage Employees (IATSE or simply IA), and became IA Local 892. This secured broader bargaining power for the Guild. IATSE has international jurisdiction in both the United States and Canada. Local 892 is just one of the Hollywood Locals under the IATSE umbrella.

The Costume Designers Guild promotes research, artistry, and technical expertise in costume design in the field of moving pictures whether it is animation, commercial, television, motion picture, music video or any future media utilizing moving images. The Costume Designers Guild produces a glamorous annual awards program recognizing excellence in costume design with five competitive awards for commercials, television, and motion pictures. Legendary designers are inducted into the Costume Designers Guild Hall of Fame and honorary awards are presented.

Salvador Perez is presently serving as President of the Costume Designers Guild.

COSTUME DESIGNERS GUILD MEMBERSHIP
The advantages of Membership with Local 892, Costume Designers Guild, representing Costume Designers, Assistant Costume Designers and Costume Illustrators include the following:

Fair Wages and Decent Working Conditions

Health and Welfare Benefits: A choice of medical plans paid for by your employer in accordance with our agreements. Members employed under the Motion Picture Basic Agreement are covered under the Motion Picture Health, Welfare and Pension Plans. Motion Picture Industry Pension & Health Plan...

Safer Working Conditions: State and federal safety laws enforced at all times. Your health and well being on the job is a priority. the motion picture industry and the IATSE are currently involved in providing the safety passport program, which enables our members to take safety classes required to work in their particular craft. Once a member has completed the classes, the passport may allow the member to use this training for employment within the various studios. www.csatf.org...

Standardized Procedures for Dispute Resolution and Grievances: Executive Director, Assistant Executive Director and legal counsel are available to respond to serious problems in the workplace. Local 892 is well prepared to handle work related grievances such as pay disputes, health and safety concerns, discrimination, harassment, etc...

Representation on the State and National Level by Professional Union Lobbyists: Looking out for your interests, in areas such as safety working conditions, wages and workers’ rights. IATSE...

Like most unions, we are a democratically run organization that not only encourages, but also requires the active participation of its members for success. A union is only as strong as the commitment of its members. In the final analysis, joining Local 892 provides an opportunity to form important professional and lifelong personal relationships with other artists who share not only a common livelihood, but also common interests and concerns as well.

Download a membership application.

Wage Scale: The following studio minimum wage scale is for the Basic Agreement contract, and shall be effective for the period listed below.  For scale rates on other contracts (Low Budget Agreements; Tiers 1, 2, and 3, MOW, etc.) please contact the office.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Costume Designers Guild / Photo Credit: Talk Business 360 TV - CDA

WHAT IS THE SOCIETY MOTION PICTURE SOUND EDITORS? (In the Entertainment industry.)

Motion Picture Sound Editors / Photo Credit: MPSE

WHAT IS THE SOCIETY MOTION PICTURE SOUND EDITORS? (In the Entertainment industry.)         


Society Motion Picture Sound Editors?   

Founded in 1953, Motion Picture Sound Editors (M.P.S.E.) is an honorary society of motion picture sound editors. The society's goals are to educate others about and increase the recognition of the sound editors, show the artistic merit of the soundtracks, and improve the professional relationship of its members. The society is not to be confused with an industry union, such as the I.A.T.S.E. The current president is Frank Morrone.

The names of active members of the MPSE will generally appear in film credits with the post-nominal letters "MPSE".

Membership requirements
The following are required for the membership application:

A three-year list of credits as one (or more) of the following:
  • Sound editor…
  • Sound designer…
  • Dialogue editor…
  • ADR editor…
  • Sound effects editor…
  • Foley artist…
  • Music editor…
  • Two active MPSE member sponsors…
  • One letter of a sponsoring active MPSE member… 

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Motion Picture Sound Editors / Photo Credit: MPSE

Friday, April 19, 2019

LETHA HOSTED A ANDIAMO BITTER ORANGE APERITIVO SPRITZ TASTING IN AT FOOD LOVERS IN TOKAI, SOUTH AFRICA

Andiamo Bitter Orange Aperitivo Spritz / Photo Credit: Letha Malan Oelz – Andiamo Logo

LETHA HOSTED A ANDIAMO BITTER ORANGE APERITIVO SPRITZ TASTING IN AT FOOD LOVERS IN TOKAI, SOUTH AFRICA
  
Letha hosted a tasting of the fantastic signature line of Andiamo Bitter Orange Aperitivo Spritz at Food Lovers in Tokai, Cape Town South Africa. It was a wonderful pre-Easter event with a busy wine and beverage area.

An Italian-style infusion of bitter orange, herbs and sparkling wine. This Aperitivo is spectacular with a few slices of orange and grapefruit served chilled with a block or two of ice. The flavors’ are well balanced and this drink is truly refreshing.

Bitter, red, Italian Aperitivo are liqueur flavored with spices, herbs and roots to create the perfect balance of bitterness (generally reminiscent of citrus peel) and sweetness. The liqueurs are colored to achieve an orange-red hue, and they’re most famous or the popular Aperitivo Spritz.

The Aperitivo Spritz is one the most popular summer cocktails, with both traditional alcoholic and new non-alcoholic variations.










Have a fantastic year.  


Letha

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Thursday, April 18, 2019

WHAT IS THE HOLLYWOOD FOREIGN PRESS ASSOCIATION? (In the Entertainment industry.)


Hollywood Foreign Press Association / Photo Credit: Hollywood Reporter

WHAT IS THE HOLLYWOOD FOREIGN PRESS ASSOCIATION? (In the Entertainment industry.)         


What is the Hollywood Foreign Press Association?   

The Hollywood Foreign Press Association (HFPA) is a non-profit organization of journalists and photographers who report on the entertainment industry activity and interests in the United States for media (newspaper, magazine and book publication, television and radio broadcasting) predominantly outside the U.S. The HFPA consists of about 90 members from approximately 55 countries with a combined following of more than 250 million. It conducts the annual Golden Globe Awards ceremony in Los Angeles every January that honors notable examples of film and television and achievements in entertainment businesses.

The association was founded in 1943, by Los Angeles-based foreign journalists who wanted a more organized distributing process of cinema news to non-U.S. markets.

The first Golden Globes awardees were for the cinema industry in early 1944 with a ceremony at 20th Century Fox. There, Jennifer Jones was awarded Best Actress honors for The Song of Bernadette which also won for Best Film, while Paul Lukas took home Best Actor laurels for Watch on the Rhine. Awards were presented in the form of scrolls.

The following year members came up with the idea of presenting winners with a golden globe encircled with a strip of motion picture film, and mounted on a pedestal.

The Hollywood Foreign Press Association’s annual Golden Globe Awards have enabled the non-profit organization to donate more than $29 million in the past thirty years to entertainment-related charities, as well as funding scholarships and other programs for future film and television professionals. In the year 2017, the donations reached a total of over $2.8 million in grants destined to non-profits, institutions, and charities.

Known worldwide for its glittering Golden Globe Awards ceremony held every January and its multi-million dollar donations to charity, the Hollywood Foreign Press Association had humble origins that stemmed solely from a group of journalists' desire to efficiently and accurately cover all aspects of the world of entertainment.

Today's organization has its roots in the early 1940s when Pearl Harbor had drawn America into World War II. Audiences, hungry for diversion, were seeking out films offering escape, inspiration, and entertainment; and filmmakers such as Orson Welles, Preston Sturges, Darryl Zanuck and Michael Curtiz were working hard to fulfill the need. Amid the turmoil of war and the difficulties with communications, a handful of Los Angeles-based overseas journalists banded together to share contacts, information, and material. The idea was not a new one: previously, in 1928 the Hollywood Association of Foreign Correspondents (HAFCO) had been formed and, in 1935, the Foreign Press Society appeared. Both were short-lived, although the HAFCO had a brief moment in the spotlight when Charlie Chaplin, Mary Pickford, and other celebrities showed up at an International Ball the group organized at the Hollywood Roosevelt Hotel.

In 1943 the journalists, led by the correspondent for Britain's Daily Mail, formed the Hollywood Foreign Correspondents Association and conceived the motto “Unity Without Discrimination of Religion or Race.” It was an uphill struggle at first as the film industry had not yet realized the importance of foreign markets. At first, the members held informal gatherings in private homes. As the membership grew, HFPA meetings were held in larger quarters, with the association selecting the Hollywood Roosevelt Hotel as the location for group functions.

The group’s first special event was a luncheon in December 1947, at which a meritorious plaque was awarded to Harry M. Warner, president of Warner Bros., in recognition of his humanitarian work as the principal sponsor of the “Friendship Train,” which left Hollywood with food, clothing, and medical supplies for the needy of Europe.

In 1950 differing philosophies among members created a schism within the organization, resulting in a split into two separate groups -- The Hollywood Foreign Correspondents Association and the Foreign Press Association of Hollywood.

For a time, the two organizations existed side by side, with one group handing out Golden Globes while the other awarded Henrietta’s, named for their president, Henry Gris. The separation ended in 1955 when the journalists reunited under the collective title “The Hollywood Foreign Press Association” with firm guidelines and requirements for membership.

In 1955, the Golden Globes began honoring achievements in television as well as in film. The first honorees in the Best Television Show category that year were Dinah Shore, Lucy & Desi, The American Comedy and Davy Crockett.

Mission Statement

The mission of the HFPA is: 
  • To establish favorable relations and cultural ties between foreign countries and the United States of America by the dissemination of information concerning the American culture and traditions as depicted in motion pictures and television through news media in various foreign countries…
  • To recognize outstanding achievements by conferring annual Awards of Merit, (Golden Globe® Awards), serving as a constant incentive within the entertainment industry, both domestic and foreign, and to focus wide public attention upon the best in motion pictures and television…
  • To contribute to other nonprofit organizations connected with the entertainment industry and involved in educational, cultural, and humanitarian activities… 
To promote interest in the study of the arts, including the development of talent in the entertainment field through scholarships given to major learning institutions.

Membership criteria
Membership meetings are held monthly, and the officers and directors are elected annually. A maximum of five journalists may be admitted to the organization each year. To retain "Active" status, each member must be currently accredited by the Motion Picture Association of America and must submit clippings of their work every year to renew their Active status or be reassigned to a non-voting, "Affiliate" status.

Requirements for Active membership include primary residence in Southern California, attendance in at least four monthly general membership meetings, and a minimum of four published articles or photographs per year outside of the US. The HFPA does not release a list of acceptable publications for those articles, but they are not restricted to popular, mainstream ones.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, DP School, DGA, IATSE, ASC, MPAA, HFPA,

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Hollywood Foreign Press Association / Photo Credit: Hollywood Reporter

WHY DO ACTORS TAKE UNCREDITED ROLES? (In the Entertainment industry.)

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