SUN TZU QUOTES'..."You have to believe in yourself."

Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

We do not claim that this site is a be all and means to an end, but to help guide and learn how the entertainment industry work.

Please do not hesitate to contact us for any questions.

Thank you,

Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

Email: brucedumbdog@gmail.com Dumb Dog Production Phone: +1 319-930-7978 Dumb Dog Productions LLC / Bus Lic.: 5084725 https://dumbdogproductions.com/ https://dumbdogproductionsllc.blogspot.com/ https://www.facebook.com/DumbDogProductionsLLC/

Sunday, October 27, 2019

WHAT ARE OPENING CREDITS IN FILM? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT ARE OPENING CREDITS IN FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

    
In a motion picture, television program or video game, the opening credits or opening titles are shown at the very beginning and list the most important members of the production. They are now usually shown as text superimposed on a blank screen or static pictures, or sometimes on top of action in the show. There may or may not be accompanying music. When opening credits are built into a separate sequence of their own, the correct term is title sequence (such as the familiar James Bond and Pink Panther title sequences).

Opening credits since the early 1980s, if present at all, identify the major actors and crew, while the closing credits list an extensive cast and production crew. Historically, however, opening credits have been the only source of crew credits and, largely, the cast, although over time the tendency to repeat the cast, and perhaps add a few players, with their roles identified (as was not always the case in the opening credits), evolved. The ascendancy of television movies after 1964 and the increasingly short "shelf-life" of films in theaters has largely contributed to the credits convention which came with television programs from the beginning, of holding the vast majority of cast and crew information for display at the end of the show.

In movies and television, the title and opening credits may be preceded by a "cold open," or teaser (in other words, a brief scene prior to the main acts), that helps to set the stage for the episode or film.

Up until the 1970s, closing credits for films usually listed only a reprise of the cast members with their roles identified, or even simply just said "The End," requiring opening credits to normally contain the details. For instance, the title sequence of the 1968 film Oliver! runs for about three-and-a-half minutes, and while not listing the complete cast, does list nearly all of its technical credits at the beginning of the film, all set against a background of what appear to be, but in fact are not, authentic 19th-century engravings of typical London life. The only credit at film's end is a listing of most of the cast, including cast members not listed at the beginning. These are set against a replay of some of the "'Consider Yourself" sequence.

Some opening credits are presented over the opening sequences of a film, rather than in a separate title sequence. The opening credits for the 1993 film The Fugitive continued intermittently over several opening scenes, and did not finish until fifteen minutes into the film. The opening credits for the 1968 film Once Upon a Time in the West lasted for fourteen minutes.

The first sound film to begin without any opening credits was Walt Disney's Fantasia, released in 1940. In the film's general release, a title card and the credit "Color by Technicolor" were spliced onto the beginning of the film, but otherwise there were no credits, although closing credits were added to the 1990 re-release and are on the videocassette. This general release version has been the one most often seen by audiences. In the roadshow version of the film, unseen by most audiences until its DVD release, the title card is seen only at the halfway point of the film, as a cue that the intermission is about to begin. The intermission was omitted in the general release version.

Orson Welles' Citizen Kane begins with only a title credit. This practice was extremely uncommon during that era.

West Side Story (1961) begins with a shot of an ink sketch of the New York City skyline as it was when the film was made. As the background of the shot changes color several times, we hear an overture medley (not in the original show) of some of the film's songs. As the overture ends, the camera pulls back and we see the title of the film. The rest of the credits are shown as graffiti at the end.

Most Disney films released between 1937 and 1981 had all the film-related information in the opening credits, while the closing consisted only of the credit "The End: A Walt Disney Production". However, Mary Poppins was the first Disney film to have longer closing credits, in which all the principal cast members (and the characters that they played) were listed.

Most Soviet films presented all film-related information in the opening credits, rather than at the closing which consist of only a "THE END" (Russian: КОНЕЦ ФИЛЬМА, Konyets Fily-ma) title. A typical Soviet opening credits sequence starts with a film company's logo (such as Mosfilm or Lenfilm), the film's title, followed by the scenarist (the Soviet Union considered the scriptwriter the principal "auteur" of its films[citation needed]), followed by the director, usually on separate screens, then continuing with screens showing other credits, of varying number, and finally, the film's chief administrator-in-charge, the production director (Russian: Директор картины, Direktor kartiny). Following this came the cast, usually in actor-and-role format for all principal and major featured players, and perhaps then a screen only naming, in an alphabetical cluster, some additional character players. The final credit screen identified the studio corresponding to the logo at the beginning, and the year of the film's production. It could also contain the frame with the technical information about the cinematographic film manufacturer (e.g., Svema).

This basic method was also followed in most American films from the 1930s through the late 1980s, though, obviously, in American films there was no censoring of the director's name, except in cases of blacklisting. American films also tended to list the names of the actors before the names of the directors, screenwriters, and other principal crew members. Exceptions were made in the films of director Frank Capra, whose name was usually billed before the film's title. Director Victor Fleming's name was also billed before those of the actors in films such as The Wizard of Oz, Dr. Jekyll and Mr. Hyde and Joan of Arc. Capra, Fleming, and James Whale were some of the few directors who received the credit "A [director's name] Production" even though they did not produce their films.

François Truffaut's 1966 film Fahrenheit 451 uses spoken opening credits instead of written ones, in keeping with the film's story of a world without reading matter, as well as Jean-Luc Godard´s Contempt of 1963.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom, TV Tropes,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Billing Credits / Photo Credit: Studio Binder

Thursday, October 10, 2019

WHAT IS AN UNDERSTUDY IN A FILM AND STAGE? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT IS AN UNDERSTUDY IN A FILM AND STAGE? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/
    
What is an understudy in a film and state?

Understudy is normally used on Broadway and stage. An understudy is an individual who has a small part in a show and will only step up to the role that they’re understudying if the main performer cannot perform for any reason. This actor has a small part in the play and steps up to a lead role if the lead gets sick or cannot perform.

An understudy is an actor, usually one who already has their own track (usually in the ensemble or a supporting track; i.e. during a regular performance they will perform on their own track), who also covers supporting/lead tracks. Unlike standbys, understudies can (and often do) simultaneously understudy (cover for) multiple tracks; generally, standbys will only cover one. If a lead calls out and there is no standby for the track, the understudy is first in line to cover the role; if there is a standby, though, they’re usually bumped to second in line with the standby, obviously, first

In addition, some productions may have multiple understudies for a role and/or ‘rank’ their understudies in order of priority - for instance, a production might have a first understudy, who’s first in line to go on if the lead calls out, and a second understudy if both the lead and the first understudy call out.

For stage understudy is usually an ensemble member who learns a specific role(s) in case of something happening to one of the lead performers.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom, TV Tropes,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Billing Credits / Photo Credit: Studio Binder

WHAT IS A STANDBY IN A FILM? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT IS A STANDBY IN A FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

What is a standby in a film?    

A standby is an individual who is specifically hired to replace the lead and will not be in any aspect of the show unless called to be so.

The standby is an actor whose only job is to cover one specific track (generally a lead) - they have no other tracks (i.e. during a regular performance with no one out, they will not perform). If the principal calls out of a show, they’re first in line to take over. Note that not all productions have standbys - usually only productions with particularly demanding, either physically or vocally (or both) lead tracks have them.

This person is hired specifically to replace the lead and is not otherwise in the show.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom, TV Tropes,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Billing Credits / Photo Credit: Studio Binder

WHAT IS A WALK ON ROLE IN A FILM? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT IS A WALK ON ROLE IN A FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

What is a walk on role in a film?    

A walk-on is essentially someone who has a role where they appear once in a movie, where they walk past or appear in the background only once.

A walk-on part in a film or play is a small part in which the actor is on the set for a short time and speaks very few or no words. The actor walks onto the set, or into a shot, say a line or two, then leaves, probably never to appear again.

In a lot of movies, you see a bunch of people on a street, just milling around. Most of those are walk-ons. They literally walk onto the set or shooting location for a minute or two and then leave.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom, TV Tropes, 

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Billing Credits / Photo Credit: Studio Binder

CAN A MOVIE EXTRA HAVE LINES IN A FILM? (In the Entertainment industry.)


Film Billing Credits / Photo Credit: Studio Binder

CAN A MOVIE EXTRA HAVE LINES IN A FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/
    

An extra can be chosen to speak lines for a film, yes. Though once you agree to this, you are no longer an extra. Alot of films hire a separate company to hire extras and direct/manage them for the Director. As an extra you work for this separate company, but if you get lines in a movie, your officially given a “role title” (usually something small like cafe worker or business man or whatever) and sign a contract from the production/film company instead. You are now being paid by the same people paying the main actors instead of the company who manages the extras.

There isn’t any real trick to getting lines for a film without auditioning for a speaking part. Many times, you are chosen at random, being in the right place at the right time.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom, TV Tropes, Logan Matthews

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Billing Credits / Photo Credit: Studio Binder

WHAT DOES BIT CHARACTER MEAN IN FILM? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT DOES BIT CHARACTER MEAN IN FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

What does Bit Character mean in film?     


A Bit Character is a minor character in the cast. They have a slightly larger part than the extra or the Spear Carrier, but isn't a well-known actor taking a small part, like a Cameo. The British television industry often refers to these as "under sixes" (six being the number of spoken lines required to no longer be a bit part). Similarly, in the US they are "under-fives".

While an extra is the guy walking down the hall carrying a stack of papers — basically a piece of animated furniture — the bit character is the receptionist who briefly interacts with the heroes, telling them that Mr. Jones is too busy to see them right now, before turning to do other things.

The Bit Character may have a small role, but that part can move the plot along in some way (possibly for the worse), or let them serve as a Foil to a major character to flesh out the characterization. They could even be someone who gives the hero a piece of useful information, when the hero's usual source has run dry or is unavailable for whatever reason. While they might have some eccentricity to make them interesting, a bit character is generally a Flat Character, to prevent the question of What Happened to the Mouse? from arising.

Some actors make a decent living playing bit characters throughout their careers, never moving up the hierarchy to "star". Such actors are called "bit players", and can make you wonder why he appears in the background of every movie made in that country. Before she played the lead in the 1957 TV series The Adventures of Tugboat Annie, Minerva Urecal was a bit player in the movies.

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom, TV Tropes

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Billing Credits / Photo Credit: Studio Binder

WHAT DOES BIT PART MEAN IN FILM? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT DOES BIT PART MEAN IN FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

A bit part is a small and unimportant role for an actor in a film or play.

The bit part is a role in which there is direct interaction with the principal actors and no more than five lines of dialogue, often referred to as a five-or-less or under-five in the United States, or under sixes in British television.

A bit part is higher than that of an extra and lower than that of a supporting actor. An actor who regularly performs in bit roles, either as a hobby or to earn a living, is referred to as a bit player, a term also used to describe an aspiring actor who has not yet broken into supporting or leading roles.

Unlike extras, who do not typically interact with principals, actors in bit parts are sometimes listed in the credits. An exception to this practice is the cameo appearance, wherein a well-known actor or other celebrity appears in a bit part; it is common for such appearances to be uncredited.

In MGM's 1951 screen version of the musical Show Boat, the role of the cook Queenie (Frances E. Williams) was reduced from a significant supporting role in the stage version to a bit part in the film. Williams, whose appearance was not intended as a cameo, was not listed at all in the credits. On the other hand, William Warfield, whose role as Joe, Queenie's husband, was also drastically shortened in the film from the stage original, did receive screen credit because he sang Ol' Man River.

Bit parts are often significant in the story line and sometimes pivotal, as in Jack Albertson's role as a postal worker in the 1947 feature film Miracle on 34th Street. Some characters with bit parts attract significant attention. Konstantin Stanislavski remarked that "there are no small parts, only small actors."

Dabbs Greer, a bit actor, once said, "Every character actor, in their own little sphere, is the lead."

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.




Film Billing Credits / Photo Credit: Studio Binder

Sunday, October 6, 2019

WHAT DOES BILLING MEAN IN FILM? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder

WHAT DOES BILLING MEAN IN FILM? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/
    
What does billing mean in film?


Billing is a performing arts term used in referring to the order and other aspects of how credits are presented for plays, films, television, or other creative works. Information given in billing usually consists of the companies, actors, directors, producers, and other crew members.

The order in which credits are billed generally signify their importance. While there are numerous variations, most opening credits use some variation of the following basic order. In the absence of opening credits, these roles will often be credited in reverse order at the beginning of the closing credits.

Studio vs. production company
The name of the studio that is normally credited is the one that distributed the film. However, a studio may not necessarily be the party that produced it. Instead, a separate production company may have made the film or financed a substantial part of the film.

Top and above-title billing
The actors whose names appear first are said to have "top billing". They usually play the principal characters in the film and have the most screen time. Frequently, top-billed actors are also named in advertising material such as trailers, posters, billboards and TV spots.

The two or three top-billed actors in a movie will usually be announced prior to the title of the movie; this is referred to as "above-title billing". For an actor to receive it, he/she will generally have to be well-established, with box-office drawing power. Those introduced afterward are generally considered to be the supporting cast. Well-known actors may be given top billing for publicity or contractual purposes if juvenile, lesser-known, or first-time performers appear in a larger role: e.g., Marlon Brando and Gene Hackman were both credited before the title in Superman (1978), while Christopher Reeve, the then-unknown actor who played the titular character and protagonist, was not, even though Brando only appears in the introduction while Hackman was the main antagonist. Similarly in Apocalypse Now, Brando was billed first though he only appears at the end as the film's chief antagonist, while Robert Duvall was billed second despite a brief supporting role that earned him an Oscar nod for Best Supporting Actor, and Martin Sheen who portrayed the main character was billed third.

It used to be common practice to give top billing based on a person's level of fame, regardless of the significance of their role in the film. For example, Marlon Brando received top billing in The Godfather (although he had less on-screen time than Al Pacino's character; Pacino was displeased that he was only nominated for the Best Supporting Actor Oscar while Brando received the Oscar nod for Best Actor in a Leading Role), Apocalypse Now (see above), and Superman (also see above). Maximilian Schell was billed fifth in Judgment at Nuremberg after Spencer Tracy, Burt Lancaster, Richard Widmark, and Marlene Dietrich, yet Schell went on to win the Oscar for Best Actor in a Leading Role. In recent decades, however, the practice of giving top billing to a star actor has largely been discontinued especially if they only play a bit part; some major actors may have a cameo where they are only noted within the other cast during the end credits.

If an unfamiliar actor has the lead role, he may be listed last in the list of principal supporting actors, his name prefixed with "and introducing" (as Peter O'Toole was in Lawrence of Arabia) However "and introducing" is now mostly used in feature films by a young actor (usually a child) who appears for the first time in a motion picture. Sometimes, he may not receive special billing even if his role is crucial. For example, the then-unknown William Warfield, who played Joe and sang "Ol' Man River" in the 1951 film version of Show Boat, received tenth billing as if he were merely a bit player, while Paul Robeson, an established star who played the same role in the 1936 film version of the musical, received fourth billing in the 1936 film.

If more than one name appears at the same time or of a similar size, then those actors are said to have "equal billing," with their importance decreasing from left to right. However, an instance of "equal importance" is The Towering Inferno (1974) starring Steve McQueen and Paul Newman. The two names appear simultaneously with Newman's on the right side of the screen and raised slightly higher than McQueen's, to indicate the comparable status of both actors' characters (this also features on the advertising poster). A similar situation occurred in 2002 with Chicago, where Renee Zellweger and Catherine Zeta-Jones received “stacked billing” on the film’s poster, where a person reading from left to right would read Zeta-Jones’ name first and a person reading from top to bottom would read Zellweger’s name first.

If a film has an ensemble cast with no clear lead role, it is traditional to bill the participants alphabetically or in the order of their on-screen appearance. An example of the former is A Bridge Too Far (1977), which featured 14 roles played by established stars, any one of whom would have ordinarily received top billing as an individual. The cast of the Harry Potter films includes many recognized stars in supporting roles who are billed alphabetically, but after the three principals who were initially child actors.

In the case of the Kenneth Branagh Hamlet, there were many famous actors playing supporting or bit roles, and these actors were given prominent billing in the posters along with the film's actual stars: Branagh, Derek Jacobi, Julie Christie, and Kate Winslet. In the actual film's credits, they (along with the other actors in the film) were listed in alphabetical order and in the same size typeface.

If an actor is not an established star, he or she may not receive above-the-title billing, or even "star" billing; they may just be listed at the head of the cast. This is the way that all of the actors were listed in the opening credits to The Wizard of Oz; Judy Garland, although listed first, was given equal billing to all the others, with the cast list reading "with Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Jack Haley," etc. F. Murray Abraham, a supporting actor at the time of Amadeus, did not receive special star billing although he played the lead role of Antonio Salieri; his onscreen credit reads "with F. Murray Abraham", although his name does appear first in the cast.

In some cases, the position of a name in the credits roll can become a sticking point for both cast and crew. Such was the case on the sixty’s TV sitcom Gilligan's Island, where two of the stars were only mentioned by name in the closing credits. In fact, the characters of The Professor (Russell Johnson) and Mary Ann (Dawn Wells) were the only ones whose mention in the opening theme song was abbreviated simply as "the rest" in the show's first season. Bob Denver, who played Gilligan, was so upset with this treatment that he reportedly told the producers that since his contract stipulated that his name could appear anywhere in the credits that he wished, he wanted to be moved to the end credits with his co-stars. From the show's second season, the studio capitulated, and moved Denver's co-stars to the opening credits of the show and changed the theme song's lyrics to include "The Professor and Mary Ann" instead of saying "and the rest".

Last billing
An actor may receive "last billing", which usually designates a smaller role played by a famous name. They are usually credited after the rest of the lead cast, prefixed with "and" (or also "with" if there is more than one.

Unbilled appearances
An actor may go uncredited, and not be listed in either or both opening and closing credits. Reasons for this may vary.

Billing Block
The "billing block" is the "list of names that adorn the bottom portion of the official poster (or 'one sheet', as it is called in the movie industry) of the movie". In the layout of film posters and other film advertising copy, the billing block is usually set in a highly condensed typeface (one in which the height of characters is several times the width).

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, History Channel, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, Film Site, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Central Casting, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, Film Reference, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, NATO, Mental Floss, Slate, Locations Hub, Film Industry Statistics, Guinness World Records, The Audiopedia, Imagination for People, Literary Devices, Start Up Film Maker, On Post Modernism, The Guerrilla Rep Media, Indie Film Distribution, Filmmaker Freedom,

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Film Billing Credits / Photo Credit: Studio Binder

KAAPSE LIQUEURS DOUBLE GOLD MICHELANGELO AWARDS / Cape Town South Africa


Michelangelo International Wine & Spirits Awards Gold / Photo Credit: Kaapse Liqueurs

KAAPSE LIQUEURS DOUBLE GOLD MICHELANGELO AWARDS / Cape Town South Africa

Kaapse Buchu Gin won Double Gold at the Michelangelo Awards 2019!

Kaapse Liqueurs  

Artisan, Local and Natural
The driving force behind the company is the passion, hard work and expertise of Cape Town born and bred Carol Mills. It is through her efforts that the liqueurs have remained artisan, local and natural.

Based in the Western Cape, the business has been built on the very popular “market industry” which has taken off in the area. The casual nature of this phenomenon has allowed for extensive interaction with customers and generated very positive reaction and feedback.

Traditional liqueurs like Kaapse Liqueurs can enhance lifestyles, forming part of the celebration of relationships, get-togethers and festive community eating. Food pairings are a passion of the brands and the sensory experiences which can be created with the liqueurs are endless.

Michelangelo International Wine & Spirits Awards

1997 
The Michelangelo International Wine & Spirits Awards was established in 1997 to offer South African producers the opportunity of having their wines adjudicated locally by a highly experienced and respected panel of professionals from around the globe. Our primary objective was – and to a great extent still remains – to support local wine and spirits producers who are targeting international markets for exports and, through our international judges, are able to determine whether their wines will be well received both abroad and locally.

2003
Since 2003 the competition has received an increasing number of entries from international wine producers; 2003 marked the start of a new era for the competition when the Michelangelo International Wine Awards moved to Stellenbosch, the main wine producing area of South Africa. During that year the organizer’s introduced the first of a number of trophies, namely the Grand Prix trophy for the top scoring wine, the Pinotage trophy and a trophy for the best Garagiste (Boutique) wine entered into the competition.

2019
Now, in its 25th year, the competition remains unique in South Africa, in that all judges are hand-picked wine experts, representing all seven continents. Since the start of the competition in 1997, more than 170 different judges from 46 countries (more recently including Russia, Romania and China) have served on the panel. All entries are judged blind by panels of 5 or 6 judges, using the 100-point international recognized OIV judging system.

Contact Michelangelo Awards
Email: at admin@michelangeloawards.com
Phone: +27 (0) 79 516 9018
Website: https://maiwsa.co.za …

Sample Deliveries
Michelangelo Warehouse
Longridge Wine Estate
Between Somerset West & Stellenbosch – R44 Turnoff: (Opposite Cavalli Estate Main Entrance)
Somerset West, Cape Town, 7613

Longridge Wine Estate
Helderbergpad, off the R44 between Somerset West &, Helderbergpad
Somerset West, Cape Town, 7613

Sticker Collection
Label Mountain / Fortitude Labels
Unit 3, The Woodmill, Vredenburg Rd, Stellenbosch

Kaapse Liqueurs
Email: info@kaapseliqueurs.com
Phone: +27 (0) 83 473 5038

Have a fantastic New Year.

Letha

Letha (Malan) Oelz (You can contact Letha at: oelzletha@gmail.com... please follow me at https://www.finderzkeeperz.co.za/2019/10/06/kaapse-liqueurs-double-gold-michelangelo-awards-cape-town-south-africa/






Michelangelo International Wine & Spirits Awards / Photo Credit: MAIWAS
Kaapse Liqueurs / Photo Credits: Letha Malan Oelz – Kaapse Liqueurs
Michelangelo International Wine & Spirits Awards Gold / Photo Credit: Kaapse Liqueurs

WHY DO ACTORS TAKE UNCREDITED ROLES? (In the Entertainment industry.)

Film Billing Credits / Photo Credit: Studio Binder – Bruce Bisbey WHY DO ACTORS TAKE UNCREDITED ROLES? (In the Entertainment industry....