WHAT DOES A MUSIC DIRECTOR DO? (In the Entertainment industry. What Does A Music Director Do?)

Music Director / Photo Credit: Film Music Society

WHAT DOES A MUSIC DIRECTOR DO? (In the Entertainment industry. What Does A Music Director Do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Music Director Do?

Music director for movies are business management professional who select the music used in movies, also called music supervisors. They oversee the composer and other musicians involved in creating music for a movie. Music directors who work on films create the atmosphere of a movie through the soundtrack selection. Because of this, obtaining permission to use songs on a movie's soundtrack is a major component of the job.

The musical director is hired during pre-production by the producer and director, and is responsible only for the vocal and instrumental performance of the cast and accompanying band or orchestra. Few musical directors are as well-known as David Letterman’s longtime collaborator Paul Shaffer, but all are integral to the musical texture of the shows they work on.

Duties

On a play or musical revue, the musical director begins work by attending creative meetings with the director and choreographer to develop the overall vision of the show and determine the mood and theme to be portrayed. This person studies the script and music, then participates in auditions to evaluate the vocal abilities of each potential cast member and offer suggestions on which individuals might be best suited for a particular role, based on the vocal performance required. He or she will also audition and hire musicians with the approval of the director and producer.

After the production is cast, the musical director is tasked with teaching the music to the cast and musicians, then rehearsing their performance. These sessions will take place separately in the initial stages of rehearsal, and then the cast and band or orchestra will be combined to fully develop the sound. The musical director will lead regular warm-ups with the cast and musicians before each show, and will hold continuity rehearsals on a regular basis to maintain consistency and work on performance notes from the stage manager. This person usually serves as the conductor during live performances, directing the orchestra and cueing the cast’s intro to a number. On a smaller show, he or she might also perform as a musician during the show, playing the piano or keyboard.

On variety or comedy sketch shows, like the nightly Second City stage shows, many times it’s just the musical director and a keyboard. Duties are similar to those on a stage musical, but it can be grueling to keep up with unpredictable action on stage. It is a superb training ground, however, and many successful composers and musical directors start in this kind of small show and work up to full-band situations like late-night TV or televised awards shows.

Skills & Education

A college degree in music or musical theater is highly recommended as preparation for this career, and an MFA degree is preferred. Courses in composition, orchestration, and conducting will impart required skills, as will training in musicianship, voice, and acting. The musical director must be proficient at sight-reading music, should be able to write at least simple tunes or cues, and is generally expected to be able to play the piano—ability to play additional instruments is a bonus.

What to Expect

Both permanent and freelance positions are available for musical directors, who can choose to pursue a career in traditional musical theater, with recording artists on touring concerts, or with an opera or orchestra company. This is a senior-level management role that requires several years of experience in performance and musicianship and a strong résumé of credits. An apprenticeship under a veteran musical director is a great way to develop your craft and propel your career forward. Many begin to build skills in local community theater before moving on to college orchestra or musical theater programs, and eventually regional theater and professional gigs. Networking and cultivating professional industry contacts is your most helpful tool is establishing a career in the entertainment industry as a musical director.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Music Director / Photo Credit: Film Music Society

WHAT DOES A MUSIC SUPERVISOR DO? (In the Entertainment industry. What Does A Music Supervisor Do?)

Musical Supervisor / Photo Credit: 90 Seconds

WHAT DOES A MUSIC SUPERVISOR DO? (In the Entertainment industry. What Does A Music Supervisor Do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Music Supervisor Do?

A music supervisor is a person who combines music and visual media. According to The Guild of Music Supervisors, a music supervisor is “a qualified professional who oversees all music related aspects of film, television, advertising, video games and other existing or emerging visual media platforms as required.” In the musical theatre industry, a music supervisor is often responsible for managing a team of music directors working on any number of musical productions.

Guild of Music Supervisors / Photo Credit: Music Gate Way

A music supervisor is somebody with a broad and encyclopedic music expertise and a sophisticated knowledge of music licensing and negotiation. Typically, a music supervisor proposes previously recorded songs to the director or producer of a film, advertisement, television show, trailer, promo, video game, or any other form of visual media. A music supervisor will usually act as a liaison between the creative and business ends of the process. Once a song is approved, they approach the rights holders of that song to seek permission to license (usually creating master recording licenses and synchronization licenses) and to work out the financial details of the song’s use. In many instances, the artist or songwriter of the recorded song is given the opportunity to accept or decline the synchronization of their song. This position is most active within media-based industries, including live events, television, film, advertising, theatre, and video gaming. Music supervisors may work within production companies, film studios, networks, music supervision companies, or do freelance work.

Duties

The music supervisor is primarily concerned with selecting songs to be placed in a film or television show’s soundtrack, and the licensing process necessary to clear the rights. Responsibilities are to locate, secure and oversee music related talent. They liaise between the rights holders of the recorded music involved and the director of the project they have been hired to work on. In addition, they advise, generate and work within financial parameters of the project they are hired to work on. They must deliver musical elements within a timely manner and secure legal rights of the song before it is used. The music supervisor will gather the appropriate information to list credits and, in certain cases, will manage royalty collection. The job starts with breaking down the script and discussing the director’s concept; this person is responsible for helping the director realize her or his vision by selecting the right song for the scene based on mood, tone, and style. In post-production the supervisor will slide placeholder songs (a.k.a. the temp track) into the film for initial review by the producer and studio, and inevitably the director will fall in love with this dream cast of tunes; the trouble starts when the supervisor must break the bad news that the production can’t afford a master recording of “Dream On.” To appease both the producer holding the purse strings and the director with a dream, the supervisor must artfully scour publishers’ catalogs (and his or her own deep musical knowledge) for a suitable, more affordable replacement. In addition to shopping for recorded material, this person also oversees all music-related business on a project; this includes assisting with the budget, working with the director to find the right composer and music editor, and coordinating soundtrack releases with record labels. The music supervisor is a wrangler and facilitator who puts together the many people that create a production’s musical backdrop, from songs to score to soundtrack.

Skills & Education

Big ears are great—the innate ability to distinguish the “it” factor of a song and skillfully match the tune to the visual medium. More than that, a music supervisor must understand song clearance, how a film is scored, and the ins and outs of editing. A college degree in entertainment business is helpful, though not required. Education in recording arts, film and television production, and entertainment law can serve to strengthen your fundamental knowledge, but the real must-have is a steel-trap grasp of synchronization, performance, and master rights. You should be well-versed in numerous musical genres and understand song craft; courses in music history and appreciation are invaluable. To succeed in this business you must stay current, so get out to the clubs and comb the trades every morning.

What to Expect

Music supervisors are the A&R executives of the film business; they scout for new talent and always keep an eye open for the next right project. There are widely divergent paths to arrive at this career. Experience at a publishing house or record label, or time at a performing rights organization, as a licensing administrator, or as an advertising music assistant, can put in you in front of the right people and teach you the inner workings of the industry—there is no right or wrong place to start. Once you have the gig, be prepared to play the politics and be diplomatic. You work for the producer and the studio, but you must also answer to the director and try to preserve that relationship. When or if there is conflict between the two, you must find creative compromises that will maintain the integrity and quality of the project. Music supervisors can work as independent freelancers, or as a full-time employee of a film studio, game developer, television production company, or advertising agency.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Musical Supervisor / Photo Credit: 90 Seconds

Guild of Music Supervisors / Photo Credit: Music Gate Way

WHAT DOES A MUSIC EDITOR DO? (In the Entertainment industry. What Does A Music Editor Do?)

Post Production Dubbing / Studio Photo Credit: Nihon Onkyo Engineering Co Ltd

WHAT DOES A MUSIC EDITOR DO? (In the Entertainment industry. What Does A Music Editor Do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Music Editor Do?

Music Editors are responsible for all the music featured on film soundtracks. This includes performed music eg a band or singer who performs within the film, any bought-in music, and the film Composer’s score.

On musicals Music Editors are responsible for how the music is portrayed in the film. They work closely with the picture Editor to get the right mix of image and movement. On a medium budget film, Music Editors usually start work during the picture editing process. They develop a Temp (temporary) Score, which is made up of music lifted from other film soundtracks or sourced music. This helps the Editor to achieve the right pace and emotional tempo. It may also provide a broad template for the Composer, and help the Director with getting the feel of the soundtrack.

Music Editors attend a “Spotting Session” with the Director, Picture Editor, Music Supervisor, Producer and Composer. They note all music cues. This gives the Composer a written template used to produce the score. It also gives the Music Supervisor essential notes regarding copyright clearances and budgetary issues. 

Some Composers may also require Music Editors to produce a Cue Breakdown, which involves rewriting the script from a musical point of view, helping the Composer to estimate the tempo and metre of the score.

Music Editors also communicate all editing changes to the Composer in musical terms. For example if a number of frames have been cut, the Composer might have to lose a bar or three beats of the score. Music Editors also design a “click track” for the film which is used during the recording of the score to help the musicians achieve the correct tempo and perfect picture-to-music synchronization. Music Editors attend all music recording sessions, to help with any last-minute revisions or changes which may require additions or subtractions from the “click-track”.

Music Editors work with a specialist mixer to create different mixes of all the music tracks. They have to look out for potential problems like a loud cymbal crash occurring at the same time as a line of dialogue. Using a computer software programme, Music Editors lay down all the music tracks, fitting them exactly to the picture, ready for the Final Mix or dub. They have to attend this session to find quick, creative solutions to any last-minute problems.

One of the final tasks for Music Editors on films is preparing the Cue sheet. This is a detailed breakdown of all the music featured on soundtracks (including length and function). This is sent to the Performing Rights Society, ASCAP (American Society of Composers, Authors and Publishers) and all exhibitors so that royalties can be paid every time the film is screened.

A film or television show is not complete without a variety of music cues. The composer’s melodies flowing beneath the visuals lend emotion, suspense, and a depth of experience, as do source cues (heard when an actor turns on the radio or walks into a nightclub), or songs performed on camera. Part of the post-production department under the supervising sound editor, the music editor is responsible for editing all music for a film or television show’s sound environment, including the original score, source music, and songs.

Duties

The music editor typically begins work during post-production once the picture is locked; that’s the point at which the director and producer have approved the picture edit of the show. During a spotting session, which is a review of the edited film without the completed sound effects and dialogue tracks, the music editor will consult with the producer, director, music supervisor, composer, and supervising sound editor. He or she makes notes for intended music cues (usually represented by a temp track) that will later be used by the composer in writing a score complementary to the picture in terms of tempo and mood. A cue breakdown may be required, which amounts to rewriting or annotating the script to identify pacing, scene length, frame rate, and other information useful to the composer. The music editor also designs the click track that aids the composer and orchestra in precisely timing the score to the picture.

The music editor will monitor the completion of the score and attends all recording sessions. This person does not supervise the composer, but is there to offer assistance and act as a liaison between the post-production staff and musicians. If editing changes take place that will affect scoring, it is the music editor’s task to make the composer aware and quickly make the appropriate revisions to the cue breakdown and click track. Once all original music is recorded, the music editor works closely with a mix engineer (also known as a music mixer in film) to balance the score with the picture and strip in music at emotionally appropriate and impactful moments. He or she must take special care to consider the volume of the background score to ensure that dialogue is still clearly understood above the underlying music. Upon completion, he or she will be responsible for delivering cue sheets, necessary for calculating royalties owed for the use of copyright music.

Skills & Education

A formal education in film and television production with an emphasis on post-production sound editing is recommended. A college degree in music production would also be applicable. Coursework should include training on mixing and editing consoles, as well as software like Pro Tools. Additional study of composition, music history, and film history is also beneficial. The music editor should have a terrific sense of story and how music can emotionally support the visual action. Similarly, he or she must have a thorough understanding of musical styles and genres. The ability to clearly communicate abstract ideas in the creative environment and to interpret a director’s vision is crucial.

What to Expect

A path toward a career as a music editor may begin with work in post-production sound editing, or through employment as a mix engineer, recording engineer, or similar recording industry position. Entry-level, full-time positions exist at independent post-production studios that cater to the film and television industry, as well as in the post-production facilities of major studios. Additionally, major motion pictures and television series employ union trainees and non-union interns. Perhaps the easiest—or at least the most abundant—source of post-production work is on reality series. With experience, a post sound crew member can advance to the role of music editor. From there, future opportunities may lead to freelance or permanent employment as a supervising sound editor in sound design.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Post Production Dubbing / Studio Photo Credit: Nihon Onkyo Engineering Co Ltd

WHAT DOES A MOTION CAPTURE ARTIST DO? (In the Entertainment industry. What Does A Motion Capture Artist Do?)

Serkis Animators Mocap - Awards Ideas Commentary motion capture / Photo Credit: Cartoon Brew

WHAT DOES A MOTION CAPTURE ARTIST DO? (In the Entertainment industry. What Does A Motion Capture Artist Do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Motion Capture Artist Do?

Motion-capture acting, also called performance-capture acting, sometimes abbreviated as MoCap or Pcap, is a type of acting in which an actor wears markers or sensors on a skintight bodysuit or directly on the skin. Several cameras from different angles record the actor's movements simultaneously, recording the three-dimensional position of the sensors and not recording the rest of the actor. Sampling is done many times each second, aided by advances in computer technology. The resulting database of 3-D points permits a filmmaker or video game creator to create a digital character and to place this character in an entirely new setting, such as on top of a fictional volcano or flying through the air. This type of acting is seen as a growth area, with predictions that there will be more work in future for actors. Some theatrical agents represent motion-capture actors.

The motion capture artist works closely with the direction team and actors from pre-production through post in creating computer-generated characters who move, interact, and look just as lifelike on the screen as real people. Far beyond just generating a digital cast member, the motion capture artist and his or her crew strive to create a digital actor whose performance is no less convincing than the flesh-and-blood counterpart. The unsettlingly foreign-yet-familiar feel of the alien “prawns” in District 9 is owed to dozens of talented mobcap artists (among other visual effects artists including animators, compositors, cinematographers, and more).

Duties

Motion-capture acting can be difficult work. For example, one actor was "placed in a tiny booth, had dots placed all over his face that captured his movements, and had to sit perfectly still". One report suggested that actors wishing to break into this line of work should go to acting class and become experts in skills such as gunplay, sword fighting, dance, general body movement, running and jumping, gymnastics, and hand-to-hand fighting. It is a new type of acting work. Numerous sources identify actor Andy Serkis as the "king of motion-capture acting" based on his work in creating digital characters in movies such as The Lord of the Rings, King Kong and Planet of the Apes. According to one report, the first use of performance capture acting for a video game was for the 2007 game Heavenly Sword which starred Serkis and others.

In addition to recording the motion capture, the artist is responsible for setting up shots, fitting the actor with the necessary marker suit, and preparing specialized props. Post-capture, the artist creates a preliminary 3D computer character model using video capture software. With the help of software pipelines like Maya and Motion Builder, motion capture artists add texture to the scene and edit footage, cleaning up and correcting the motion captured in individual frames. Everything from skin, hair, and clothing to tentacles, horns, and extra limbs is added digitally. What is at first only a wireframe skeleton of a potential character is transformed by the motion capture artist into a living being.

Skills & Education

A degree in computer animation, graphic design, or a closely related field is a requirement for a motion capture artist. He or she must be a skilled technician and talented artist, capable of translating artistic concepts to the digital medium. Training in computer programming, video production, and fine art will help you to develop the multifaceted skills that are required to work on the industry’s biggest and most expensive-to-produce releases. Becoming experienced in the use of motion analysis software and hardware (like motion analysis and eye-tracking monitors) is crucial. Familiarizing yourself with the most current technology and staying on top of trends in emerging products will give you a leg up in your career.

What to Expect

This is not a solitary occupation. Like most areas of film and television production, motion capture is a collaborative process. You will work closely with actors, directors, technicians, and other artists. A cooperative attitude and willingness to adapt to changing needs of the production are important. You must be comfortable directing actors and technicians, but also able to take direction and perform professionally. The environment is fast-paced, with no room for mistakes. In digital animation, like all arts forms, the critics are unforgiving and the clients demand their product be flawless. If you thrive under pressure and are detail-obsessed and hyper-organized, you could break new ground in the still evolving realm of computer-generated graphics.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Serkis Animators Mocap - Awards Ideas Commentary motion capture / Photo Credit: Cartoon Brew

WHAT DOES A MINIATURES BUILDERS DO? (In the Entertainment industry. What Does A Miniatures Builders Do?)

Special FX Miniature / Photo Credit: Behance

WHAT DOES A MINIATURES BUILDERS DO? (In the Entertainment industry. What Does A Miniatures Builders Do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Miniatures Builders Do?

From the moon of George Méliès’ A Trip to the Moon to the buildings of Gotham City in The Dark Knight, miniatures have had played a historically pivotal role in creating amazing visual effects in film. The creation of these wonders is the responsibility of a miniatures builder, who is a member of the visual effects team that makes models.

Miniature model makers are responsible for building the models used to enhance sets or to replicate structures in miniature. For example, they may need to construct a nine-inch high replica of the Great Wall of China, or make miniature copies of large cities for the Visual Special Effects unit.

Miniature model makers create models that bring to life the ideas of Production Designers, Props Masters or the Visual Special Effects unit.

They initially use freehand drawing skills, or computer-aided design (CAD), or perhaps an illustrative model, to help visualize the finished product. Once this model is approved, they build a detailed model.

Models are made in a range of materials including clay, Plaster of Paris, plastic, or metal, using a variety of different techniques. For models with moving parts, miniature model makers may employ basic engineering techniques and, in some cases, electronics. They use a range of hand, power or machine tools, including computer-assisted equipment.

They may also be involved in sourcing appropriate materials and resources, and working with other departments.

Miniature model makers must adhere to strict Health and Safety guidelines, and carry out their tasks in a safe work environment, as some of the materials used can be dusty and may produce dangerous fumes.

Most miniature model makers are self-employed and work on a project-by-project basis.

Duties

Miniatures builders work in the art or visual effects department, making miniature models of props, sets that are either too expensive or large to be used otherwise. The process for miniatures building begins when the miniatures builder receives the instructions from the production designer, art director, or property master long before the shoot is scheduled to take place; instructions can be as simple as rough ideas or as complex as very specific designs. Some design issues that miniatures builders face include figuring out not only how their constructions will look on film but also trying to determine if the miniatures are historically and culturally accurate. Once the designs are finalized, the miniatures builder sets forth in determining what kind of materials or other props will be needed to construct the miniature models. Miniatures builders will then liaise with production buyers to acquire the materials and tools they will need to build their miniatures, relying on strict budgetary and time constraints to make their decisions. The materials that miniatures builders use in the construction of their models can vary greatly, including latex, metal, fiber glass, wood, and fabric; sometimes it is necessary to bring in prefabricated models to suit the requirements.

Miniatures builders commonly create multiple items for the shoot, so that in case of damage to their miniatures they have a readily available back up. This is sometimes necessary because many miniatures are created simply for destruction in a film’s climax. As the goal is to create miniatures that are as realistic as possible, a miniatures builder will employ a variety of different techniques to distress or otherwise fix a model to look like it’s a certain age, condition, or from a certain period. This is often accomplished through paint, soldering, and other techniques. Once the shoot begins, miniatures builders will often assist by operating any special miniatures and instructing member of the crew as to the best approach to filming.

Skills & Education

While miniatures builders are not required to have any specific degrees or qualifications to perfect their craft, they are artists, craftspeople, and technicians in the truest sense. Even still, many have formal training in art, design, model making, as well as experience in prop making and basic set design. Miniatures builders not only need to have technical skills to create miniatures models from design plans but also need strong artistic skills to add the necessary details and create realism. It is common for a miniatures builder to have a background in carpentry, fine art, graphic design, and other fields that require a great deal of artistry and motor skills. Imagination and attention to detail are paramount to a miniatures builder, because they are often creating or recreating things that either have never existed or may be extremely familiar to viewers, as in creating the New York skyline. Miniatures builders need to have deep knowledge of the materials they work with, as well as how best to use them to accomplish their design goals. As they often work with hazardous materials, it is also crucial that miniatures builders know the standard health and safety requirements during construction. As members of the prop department and visual effects teams, miniatures builders must also have good communication skills and be comfortable with taking and giving orders.

What to Expect

Computer-generated images may have come to dominate the world of visual effects in film and made the call for miniatures builders less pronounced, but there is still a strong need for their practical talents in film. You can expect a lot of building, painting, and inhaling toxic fumes (though masks should help alleviate that). Working with soldering irons, power tools, and sharp objects create a greater element of danger than most film work, so being careful and knowing the safety rules are necessary to protect the lives and digits of a miniatures builder. Compositing has made miniatures important again, so while a career in miniatures building may be relegated to an almost freelance status nowadays, there is always work for the miniatures builder that can create good models, understands the demands of miniatures in the digital world, and is always ready to take on any job, no matter how small.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Special FX Miniature / Photo Credit: Behance

WHAT DOES A MATTE PAINTER DO? (In the Entertainment industry. What Does A Matte Painter Do?)

Matte Painting / Photo Credit: The Gnomon Workshop

WHAT DOES A MATTE PAINTER DO? (In the Entertainment industry. What Does A Matte Painter Do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Matte Painter Do?

It’s impossible to pinpoint the invention of the matte painting. Since the mid-19th century, photographers were experimenting with double-exposure to create composite images.

Matte paintings are one of the original VFX techniques used in filmmaking. Originally used in photography, matte paintings have evolved from painted glass panels to entire 3D digital worlds.

A matte painting is often a painted glass pane that is used to show a landscape or large set piece. Matte paintings are either filmed on set, where they are framed to look like a physical set piece, or they are combined with live footage in post-production.

A matte painting is a painted representation of a landscape, set, or distant location that allows filmmakers to create the illusion of an environment that is not present at the filming location. Historically, matte painters and film technicians have used various techniques to combine a matte-painted image with live-action footage. At its best, depending on the skill levels of the artists and technicians, the effect is "seamless" and creates environments that would otherwise be impossible or expensive to film. In the scenes the painting part is static and movements are integrated on it.

Some of the most iconic images in cinematic history owe their success to the talents of matte painters, from the shocking Statue of Liberty scene in Planet of the Apes to the awe-inspiring warehouse scene at the end of Raiders of the Lost Ark. Matte painters are animation artists who create painted representations of landscapes, sets, and other locations as backgrounds for scenes that are either impossible to find or impossibly difficult to film. While matte painters once relied solely on their brushes to paint these backgrounds, today most matte painting is done digitally, though the concepts remain the same.

Duties

The fundamental duty of all matte painters is to create realistic elements that seamlessly replace live-action elements or embellish existing live action footage in films. Matte painters will commonly work with live-action footage, digital still photography, rendered CG elements, and digital paint to create environments and visual elements that are realistic, believable, and can be integrated seamlessly into the film, video, or commercial upon which they are working. Though some matte painting today still includes paint-and-brush technique, matte painters almost exclusively work in the digital realm and with the requisite software; this requires knowledge of the latest consumer software, as well as proprietary software as needed. A matte painter will also work with a variety of implementations ranging from two-dimensional backdrops, 2.5-D (a form of pseudo-3-D) and 3-D projections, as well as textured elements and finishes, proving that while artistic ability and technological proficiency is required, flexibility is a must. As with many careers in the animation field, matte painters will routinely work with a great number of people on every project, making verbal and written communicative skills crucial to their success. Matte painters are first and foremost artists, and good knowledge of composition, color, perspective, depth, and lighting will bear on virtually every aspect of the job.

Skills & Education

Like all painters, matte painters are most often trained studio artists who graduate with fine arts or design degrees from accredited colleges, universities, and art schools. They are usually well-versed in basic artistic concepts such as drawing, sculpting, and traditional mediums of painting with oils and watercolors. The skills picked up in their art training must also be transferred to the digital realm, and knowledge of 3-D modeling, visual effects, and animation programs are a must. In-depth knowledge of programs like Adobe Illustrator, Photoshop, and Corel Painter and ninja skills with a Wacom tablet are bare necessities; 3-D programs like Zbrush, visual effects programs like Apple Shake, and animation programs such as Maya will round out your digital toolset. Artistry is the foundation of a good matte painter’s skill set, but patience and perseverance complete the pyramid of success in this career.

What to Expect

Matte painters can expect a great deal of competition and a long road on the way up the industry ladder. Compiling a portfolio of traditional and digital artwork is your first step to gaining entry into a production house, or even design or architectural firms. However, you can expect to work as a concept artist or in a similar entry-level position before landing a job exclusively matte painting. Talented artists without digital skills will have a difficult time attaining a career as a matte painter, and likewise a digital wizard with no artistic talent should look elsewhere. If you want to be a matte painter, expect to spend years perfecting all aspects of your craft, be patient and flexible, and when the time is right you just may get the chance to put your artistry into a film and put your mark on cinematic history.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Matte Painting / Photo Credit: The Gnomon Workshop

WHAT DOES A MATCH MOVER DO? (In the Entertainment industry. What Does A Match Mover Do?)

Film Match Mover/ Photo Credit: YouTube - Lj Akins

WHAT DOES A MATCH MOVER DO? (In the Entertainment industry. What Does A Match Mover Do?)

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What Does A Match Mover Do?

They are also known as Matchmovers or 3D Trackers. As this involves working on previously shot live action footage, the role more often exists on special effects work, within facility houses or on projects that combine live action and computer graphics.

Match moving has fast become a standard visual effects technique in almost every instance where live-action materials and computer-generated imagery are combined, allowing real and virtual scenes to be seamlessly composited together, appearing as if from the same perspective. With just about every movie released today featuring at least some computer graphics, a proficient match mover can find entrance into the industry and take the first steps in a long career in filmmaking, visual effects, and the CG field.

Match Move Artists translate and imitate the camera movements in live action shots and match those movements in 3D.

They position tracking points on live action shots and, using those tracking points, they work out the co-ordinates in the relevant 3D programme. The information they provide enables the CG geometry to fit accurately and convincingly into the live action plates when the various elements are composited by the Compositor.

They are also known as Matchmovers or 3D Trackers.

As this involves working on previously shot live action footage, the role more often exists on special effects work, within facility houses or on projects that combine live action and computer graphics.

Match Move Artists must be meticulous in their work. Without accurate match moving, the later stages of production will not work. Depending on the production, it is likely that Match Move Artists will be working on Maya, Shake or one of several 3D tracking programs including 3D Equalizer, Maya Live or Boujou.

Duties

Match moving is often considered to be the foundation upon which all visual effects are based, and is closely related to photogrammetry and rotoscoping. Match movers’ most basic duty is to match a CG camera to a live action camera, as well as animated objects and characters to real-world objects and characters; this is accomplished by object-matching and tracking the movement of a camera through a shot so that a virtual camera can reproduce identical motion through the use of the latest match moving software. Attention to detail is necessary, as CG must be inserted into live action footage in the correct orientation, scale, position, and motion to ensure that all elements line up perfectly—whether it’s a perfectly skipping stone thrown by Audrey Tautou in Amélie or an entire sky full of Dementors in Harry Potter and the Order of the Phoenix. Because match moving is just one step along the pipeline, a match mover is usually part of a team that works under strict deadlines and in an environment that changes almost as fast as you can adapt to it; problem-solving is also a skill that match movers will spend a great deal of time harnessing. Collaborating and taking directions from supervisors are the norm, so match movers can expect a lot of communication within departments and beyond.

Skills & Education

Though the job is considered an entry-level position, to be good at it you need not only a basic knowledge of its concepts, but experience and education. Most match movers possess degrees in computer graphics, animation, or other related subjects, and actual experience is highly favored by many studios. A talent for object matching and camera tracking is important to success as a match mover, and an acute understanding of camera attributes, modeling, and the latest software like PFTrack, Maya Live, or BouJou is all but required on the job. Additional modeling and animation skills make a match mover’s job easier, and possessing basic line geometry and organizational skills will help immensely.

What to Expect

Becoming a match mover is a good way to enter the industry, but it’s usually just a stepping stone to other careers in layout or other areas of CG. While computer work is primary, you’ll become intimately skilled in camera techniques and shots; learning how shots impact storytelling will add to your overall filmic knowledge. However, long hours of detailed work requiring patience, practice, and skill is the life of a match mover, and if you cannot communicate or play well with others, the collaborative nature of match moving may not be for you. Expect to work in teams, follow directions to the letter, and be extremely flexible, because there will be problems, there will be changes, and there will be a recent graduate waiting to break into the industry by taking your position.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Match Mover/ Photo Credit: YouTube - Lj Akins