WHAT DOES A FILM RUNNER DO? (In the Entertainment industry.)

Film Runner / Photo Credit: My First Job in Film

WHAT DOES A FILM RUNNER DO? (In the Entertainment industry.)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Film Runner Do?  

Fierce competition for entry-level positions means work experience is vital so you need to make speculative applications, network and be persistent. A runner is an entry-level position, the most junior role in the production department of a broadcast, film or video company.

A runner is an entry-level position, the most junior role in the production department of a broadcast, film or video company.

As a runner, you'll act as a general assistant, working under the direction of the producer and other production staff, to undertake whatever basic tasks are required to ensure the smooth running of the production process.

This role offers the opportunity to gain vital experience and knowledge of the production process, offering valuable networking opportunities, and is often seen as the first step on the ladder for people aspiring to roles in broadcasting media.

Responsibilities

As a runner, you'll need to: 

• Answer the telephone…
• Deliver post to local clients…
• Do photocopying and general administrative work…
• Drive cars, vans or trucks between locations and around sets…
• Fetch and carry items, such as equipment, tapes, cable and scripts…
• Get everything in place for shoots…
• Hand out post and messages to colleagues within the production team…
• Help set up a location for a shoot…
• Hire props…
• Keep the set clean and tidy…
• Make and hand out tea, coffee and lunches…
• Make arrangements for staff on location, such as booking meeting rooms or ordering food…
• Manage petty cash…
• Look after guests…
• Order stock…
• Pick up cast for make-up calls…
• Sort out the kit bags, for example checking that the camera bag contains all the necessary items…
• Take messages…
• Transcribe production tapes…
• Transport cast, crew and production staff between offices, studios and shoot locations…
• Transport scripts and hire equipment…
• Undertake basic research…
• Use maps, tapes and clapper boards, and other film and television production equipment…
• Write down shot lists… 

Most runners work on a freelance basis and are employed on full-time, short-term contracts. Short-term contracts and long hours can have lifestyle and financial implications. It is a good idea to line up your next piece of work, while still working on the current project.

There are lots of opportunities for you to gain work experience as a runner, but most of these positions are unpaid. However, your expenses are usually covered. Gaining experience through these positions can allow you to compete for paid positions.

Runners' salaries are generally static and start to rise upon gaining promotion to either head runner or researcher.

Working hours

Working hours tend to be long and unpredictable, often up to six days a week during production. Broadcasting is a 24-hour operation and the working style reflects this. You may have to work nights, weekends and public holidays.

Film and TV shoots often want to make the most of the daylight for filming, so early mornings and late nights are common.

What to expect

• Work takes place in offices and/or studios, as well as on location…
• Runners are expected to be prompt and efficient. Part of the job is to take the pressure off the person above you by doing things on their behalf and this can make the job quite stressful. However, the work is fast-moving and can be exciting, stimulating and diverse, with plenty of variety…
• The bigger production companies tend to be based in London and other large cities, such as Bristol, Cardiff, Birmingham, Manchester and Liverpool. Production companies tend to recruit runners who live locally or who can be relied on at short notice, so relocation may be necessary…
• Travel within a working day is common. You are likely to spend a lot of time travelling to and from locations, picking people up from places such as airports and train stations, making local deliveries and doing any shopping that is needed…
• Career breaks are possible, although it is recommended not to take too long a break as it is important to keep up to date with current news and trends in the industry… 

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, How Stuff Works, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection, My Job Search, Prospects,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Film Runner / Photo Credit: My First Job in Film

WHAT DOES A DOCUMENTARY RESEARCHER DO? (In the Entertainment industry.)

Documentary Researcher / Photo Credit: Career Addict

WHAT DOES A DOCUMENTARY RESEARCHER DO? (In the Entertainment industry.)

 

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Documentary Researcher Do?  

A documentary is a film, television show or radio program that provides a factual record. To ensure the documentary is as accurate and detailed as possible, producers often hire researchers to gather all the relevant information.

What Do Documentary Researchers Do?

To begin with, documentary researchers are a type of media researchers that specialize in documentaries and other factual productions. Their day-to-day tasks include: 

• Establishing the kind of information that is needed for a specific project…
• Identifying potential sources of this information – The sources could be scholarly journals, works of art or government publications…
• Verifying the authenticity of these sources…
• Studying the documents and retrieving relevant information…
• Holding interviews with documentary contributors – These individuals could be renowned scholars or government officials…
• Recording the information gathered from the sources and presenting it to filmmakers or producers… 

There are no set educational requirements to get started in documentary media. It is, nonetheless, important to possess a bachelor’s degree. Filmmaking experience as a requirement for employment generally came second to (a) a willingness and ability to learn technical skills and (b) mastery of basic research, writing and organizational skills. With that said, experience in basic media digitizing and editing (Final Cut Pro or Avid) is strongly desired, as is knowledge of Adobe Photoshop and Adobe After Effects. Website-building experience would also often be of interest, along with general IT skills.

 The following disciplines can give you a good foundation: 

• Communications...
• Journalism...
• Museum studies...
• Culture and Media...
• Digital Media...
• Anthropology...
• History... 

Important Skills and Abilities

To be a well-rounded documentary researcher, you must possess the following qualities: 

• An inquisitive mind…
• Strong information acquisition, management and analysis skills…
• Strong research skills…
• Critical thinking skills…
• Networking skills…
• Strong teamwork skills…
• The ability to work under minimal supervision…
• Good listening, speaking and writing skills… 

Documentary filmmaking is composed of countless tasks, and all of them matter-even those that may seem mundane, such as photocopying, filing or making sure the crew has lunch. Perform these tasks well and cheerfully, and you'll prove you're capable of greater responsibility. Nobody wants to micromanage you, so demonstrate that you don't need close supervision by keeping track of what's assigned (write assignments down; it's a good idea to carry a small notebook), giving the tasks your full attention and reporting back on what you've accomplished. Remember, too, that films are collaborative and are often made in fits and starts, which means that your work needs to be easily shared among colleagues both now and in the future. Organization and a willingness to go the extra step are important.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, How Stuff Works, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection, My Job Search, Documentary.org,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Documentary Researcher / Photo Credit: Career Addict

WHAT DOES A TELEVISION PROGRAM RESEARCHER DO? (In the Entertainment industry.)

TV Researcher / Photo Credit: Royal Television Society

WHAT DOES A TELEVISION PROGRAM RESEARCHER DO? (In the Entertainment industry.)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Television Program Researcher Do?  

Researchers work across all genres of television production, including news, sport, current affairs, documentaries and factual programs, light entertainment, children's, situation comedies, soaps or serial dramas, and one-off dramas. They originate or develop program ideas, drawing on their knowledge and understanding of industry requirements, and present their findings to decision makers. They are also fact checkers and 'brief' writers for onscreen presenters. They must understand, and work within, relevant legislation and regulations. They may be employed by broadcasters, or work on a freelance basis.

They plan, arrange and execute the production of programs and other output in its various forms, whilst keeping tabs on the industry and its reception in the wider world.        

As a program researcher, you'll provide support to the producer and production team of a television, radio, film or online project. You'll source contacts and contributors for programs, as well as supply your own ideas and work on location. Some media researchers also help with filming or sound recording.

The work involves organizing, planning and researching everything that will happen during a program. This includes collecting and verifying information, such as who'll be interviewed, the location, if the filming crew will fit, if the budget will stretch and so on.

As a researcher you will also responsible for fact checking, writing briefs for presenters and ensuring that production adheres to appropriate legislation. You can work on a variety of programs or within one subject area.

The role may also be known as: 

• Specialist, live footage or picture researcher…
• Broadcast assistant…
• Assistant producer… 

The job is often seen as a stepping stone towards a producer role, and a chance for ambitious recruits to show their potential.

Responsibilities

Researchers may be briefed by producers or other decision makers about program ideas and carry out further development. Alternatively, they may produce original program ideas for consideration by producers, broadcasters, production companies, or other decision makers. They identify relevant data, contributors, locations or archive material etc. collate and assess information from various sources, and ensure that legal, compliance and copyright requirements are met.

The variety and type of work carried out by a researcher depends on individual producers and the companies that employ them. Depending on the size and type of employer, you may carry out specific research-based tasks or you might expand into more production-based activities. In radio, broadcasters do elements of their own program research, assisted by the producers and researchers. Researchers in radio contribute to the development of websites that enhance program delivery.

Researchers may also be required to prepare production materials for external use, including fact sheets, pamphlets, books and booklets to accompany productions, and publicity material such as production billings, press releases, related websites, and text pages.

In television and film, researchers may be involved in a variety of activities and the role may be roughly divided into: 

• Factual research - checking that all the information used in making a film is accurate, such as period costume and architecture…
• Picture research - examining archives for film, video and photographic material to be used in documentaries… 

Typical responsibilities are extremely varied but may include: 

• Meeting with producers, directors, designers, presenters and writers to discuss the research needs of a program…
• Generating and developing new programme ideas…
• Conveying findings accurately to others in reports and briefs…
• Sourcing and researching facts, figures and information using the internet, film and tape archives, specialist collections, picture libraries, museums and government departments…
• Assessing contributors' suitability for the program, researching and booking appropriate people and locations…
• Booking resources and facilities…
• Recruiting freelance staff and negotiating fees…
• Providing administrative support such as typing, answering the phone and dealing with contracts…
• Briefing scriptwriters and presenters on topics, updating scripts and editing news reports…
• Sourcing copyright for literary and music sources and gaining clearance for any materials used…
• Negotiating broadcasting rights and producing information and fact sheets for websites…
• Providing research to production staff in a clear, concise format and tracking down film, archive and video tapes…
• Finding interviewees to conduct initial interviews with and getting vox-pop responses to current events from members of the public…
• Directing a small shoot and carrying out straightforward editing… 

Qualifications

This area of work is open to all graduates, as work experience and contacts often count for more than your degree subject. Nevertheless, a degree in one of the following subjects may increase your chances:

•  Art…
• Broadcasting and media…
• Design…
• English…
• History…
• Journalism…
• Politics…
• Public relations…
• Theatre… 

Graduates are preferred but relevant work experience, personal qualities, confidence and evidence of skills may compensate. A pre-entry postgraduate qualification is not essential, although a practical journalism or media course may help. Specialist knowledge and research experience may be required for specific subject areas or documentaries. For general areas, knowledge of current affairs and the media, plus evidence of lateral thinking and creative problem solving is useful.

Skills

You'll need: 

• To generate new ideas and accommodate the ideas of others…
• Resourcefulness and motivation…
• Excellent written communication, interpersonal and organizational skills…
• Visual thinking and the ability to be adaptable yet methodical…
• The capability to work well in a team and under pressure…
• Strong it and research skills…
• An instinct for a good story…
• Confidence and patience…
• Knowledge of legal and ethical principles in relation to the media and copyright, as well as health and safety procedures… 

To be successful in securing freelance work, researchers also need to be skilled in self-management and self-promotion.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, How Stuff Works, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection, My Job Search

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

TV Researcher / Photo Credit: Royal Television Society

WHAT DOES A MEDIA RESEARCHER DO? (In the Entertainment industry.)

Research Framework / Photo Credit: Sage Research Methods - Sage Publications

WHAT DOES A MEDIA RESEARCHER DO? (In the Entertainment industry.)

 

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does A Media Researcher Do?  

Media researchers work in different sectors of the media industry, including television, radio, film and the web. They plan, arrange and execute the production of programs and other output in its various forms, whilst keeping tabs on the industry and its reception in the wider world.        

As a media researcher, you'll provide support to the producer and production team of a television, radio, film or online project. You'll source contacts and contributors for programs, as well as supply your own ideas and work on location. Some media researchers also help with filming or sound recording.

The work involves organizing, planning and researching everything that will happen during a program. This includes collecting and verifying information, such as who'll be interviewed, the location, if the film crew will fit, if the budget will stretch and so on.

As a researcher you will also responsible for fact checking, writing briefs for presenters and ensuring that production adheres to appropriate legislation. You can work on a variety of programs or within one subject area.

The role may also be known as: 

• Specialist, live footage or picture researcher…
• Broadcast assistant…
• Assistant producer… 

The job is often seen as a stepping stone towards a producer role, and a chance for ambitious recruits to show their potential.

Responsibilities

The variety and type of work carried out by a researcher depends on individual producers and the companies that employ them.

Depending on the size and type of employer, you may carry out specific research-based tasks or you might expand into more production-based activities.

In radio, broadcasters do elements of their own program research, assisted by the producers and researchers. Researchers in radio contribute to the development of websites that enhance program delivery.

In television and film, researchers may be involved in a variety of activities and the role may be roughly divided into: 

• Factual research - checking that all the information used in making a film is accurate, such as period costume and architecture…
• Picture research - examining archives for film, video and photographic material to be used in documentaries… 

Typical responsibilities are extremely varied but may include: 

• Meeting with producers, directors, designers, presenters and writers to discuss the research needs of a program…
• Generating and developing new programme ideas…
• Conveying findings accurately to others in reports and briefs…
• Sourcing and researching facts, figures and information using the internet, film and tape archives, specialist collections, picture libraries, museums and government departments…
• Assessing contributors' suitability for the program, researching and booking appropriate people and locations…
• Booking resources and facilities…
• Recruiting freelance staff and negotiating fees…
• Providing administrative support such as typing, answering the phone and dealing with contracts…
• Briefing scriptwriters and presenters on topics, updating scripts and editing news reports…
• Sourcing copyright for literary and music sources and gaining clearance for any materials used…
• Negotiating broadcasting rights and producing information and fact sheets for websites…
• Providing research to production staff in a clear, concise format and tracking down film, archive and video tapes…
• Finding interviewees to conduct initial interviews with and getting vox-pop responses to current events from members of the public…
• Directing a small shoot and carrying out straightforward editing… 

Qualifications

This area of work is open to all graduates, as work experience and contacts often count for more than your degree subject. Nevertheless, a degree in one of the following subjects may increase your chances: 

• Art…
• Broadcasting and media…
• Design…
• English…
• History…
• Journalism…
• Politics…
• Public relations…
• Theatre… 

Graduates are preferred but relevant work experience, personal qualities, confidence and evidence of skills may compensate. A pre-entry postgraduate qualification is not essential, although a practical journalism or media course may help. Specialist knowledge and research experience may be required for specific subject areas or documentaries. For general areas, knowledge of current affairs and the media, plus evidence of lateral thinking and creative problem solving is useful.

Skills

You'll need: 

• To generate new ideas and accommodate the ideas of others…
• Resourcefulness and motivation…
• Excellent written communication, interpersonal and organizational skills…
• Visual thinking and the ability to be adaptable yet methodical…
• The capability to work well in a team and under pressure…
• Strong it and research skills…
• An instinct for a good story…
• Confidence and patience…
• Knowledge of legal and ethical principles in relation to the media and copyright, as well as health and safety procedures… 

To be successful in securing freelance work, researchers also need to be skilled in self-management and self-promotion.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, How Stuff Works, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection, My Job Search

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Research Framework / Photo Credit: Sage Research Methods - Sage Publications

WHAT’S THE DIFFERENCE BETWEEN CATERING AND CRAFT SERVICES ON A FILM SET? (In the Entertainment industry.)

Craft Service Table / Photo Credit: The Black and Blue

WHAT’S THE DIFFERENCE BETWEEN CATERING AND CRAFT SERVICES ON A FILM SET? (In the Entertainment industry.)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What’s the difference between catering and craft services on a film set?          

Workdays on movie sets are notoriously long and arduous -- 16-hour days and six-day weeks are the norm on many films. And whether the shoot is happening on a soundstage or on location, once the crew and talent are on set, they're on set. No one's popping out for lunch or to run some quick errands during the day, especially if the set is in the middle of the desert or on the side of a mountain. So if they can't go to the food, the food has to come to them.

There are two departments that provide sustenance for hungry film crews: catering and craft services. Catering handles the hot, sit-down meals that are usually served twice a day. Craft services is technically for the "crafts" -- the grips, costume department, makeup artists, camera and lighting crew -- who might not have time for a sit-down meal.

Depending on the film's budget, the goods served by catering and craft services can range from bare-bones to elaborate. For a low-budget, nonunion production, the craft services setup could easily be a single table manned by a production assistant serving only coffee, water and prepackaged snacks. As the budget inches up, the lonely table becomes a customized truck outfitted with cappuccino machines, a deli counter, microwaves, and every kind of snack imaginable.

Craft service or craft services is the department in film, television and video production which provides cast and crew with snacks, drinks and other assistance.

Craft service workers are nicknamed "crafties" and are represented by a union, the International Alliance of Theatrical Stage Employees (IATSE). Other departments such as camera, sound, electricians, grips, props, art director, set decorator, special effects, hair and make-up, are referred to as crafts. Craft service is also an IATSE craft and the work is covered by a collective bargaining agreement.

Craft service is different from catering; craft service refers to the food always available to the crew while they are working, while catering is provided by a catering company or a restaurant and handles full meals.

Typically there is one main table where the snacks and coffee are set up (which is simply called "crafty" or "the crafty table"). Occasionally there are two craft service stations, with one being for cast and crew and another for non-union background actors. A "satellite" crafty may be set up next to the camera, as they may not be able to leave their workstations. In addition to snacks and drinks, the craft service department clears the set of trash. Aside from snacks and beverages, craft service may also supply bandages, aspirin, gum, antacids, toothpicks, hand sanitizer, sunscreen, and hand-warmers.

The same goes for catering. As a general rule, catering serves its first meal six hours after filming starts, and the next one six hours after that. Meals last about a half-hour to an hour. Because the day usually starts around 7 a.m. on a movie set, this means lunch and dinner. On a small budget, that could entail pizza, pasta or sandwiches, with not too much variety over the course of the shoot. For a summer blockbuster, the sky's the limit.

The catering staff is responsible for churning out two large meals a day, but craft services has to keep a plentiful spread displayed for the entire day, whether it lasts eight or 16 hours. There are usually bagels and pastries in the morning, followed by sandwiches and salads in the afternoon and evening, and a good selection of healthy and not-so-healthy snacks and candy on display all day. The craft services crew will also venture onto the set throughout the day to get snacks and water to any crew members who can't make it over to the table.

By most accounts, craft services is the center of a set's social scene. Everyone's gotta eat, so the area is the great equalizer -- the stars mingle with the lighting crew, and the director grabs the same snacks as the lowly assistants. The quality of the spread can make or break the crew's experience, too. If the coffee machine isn't refilled enough, the snacks aren't restocked, or the same sandwiches sit out day after day, hard-working, overtired people tend to get cranky. A good craft service crew, then, is actually responsible for the physical and mental well-being of the entire set.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, How Stuff Works, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection

Alison Cooper "What’s the difference between catering and craft services on a film set?" 12 September 2014. HowStuffWorks.com. <https://entertainment.howstuffworks.com/difference-catering-craft-services.htm> 1 December 2018

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Craft Service Table / Photo Credit: The Black and Blue

WHAT DOES AN DIGITAL CONTENT EDITOR DO? (In the Entertainment industry.)

Video Digital Editing / Photo Credit: Entertainment Jobs

WHAT DOES AN DIGITAL CONTENT EDITOR DO? (In the Entertainment industry.)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does An Digital Content Editor Do?          

A robust, engaging web presence is crucial for any entertainment brand; that includes the production and publication of original written content, as well as video, podcasts, and interactive media. It is the digital content editor’s role to maintain quality and consistency across media types and web platforms, with special attention given to driving increased traffic and brand visibility.

Duties

The digital content editor is responsible for taking consumer-targeted web content from concept to publication by overseeing a diverse team of staff and freelance contributors and coordinating with internal marketing departments. Whether the editor is assigned to web properties that support the marketing campaign for a summer blockbuster film, record release, video game, or major touring production, he or she develops strategies for generating meaningful content that garners a high volume of visits, and encourages awareness and excitement around the product. Content typically includes written news articles, video interviews and behind-the-scenes features, podcast discussions, and a variety of embedded games or other interactive apps.

Specific processes of this position will vary by company, but essentially follow the pipeline of brainstorming, assignment, production, editing, and publication. The editor will work with staff to brainstorm content topics and then delegate assignments to in-house contributors and freelancers. During the production process, whether for written copy, audio, or video, the editor supervises the contributors to ensure that they are meeting deadlines and are maintaining the focus of the assignment. When completed work is returned, the editor will proofread written copy for style and grammar, making appropriate changes. The digital content editor will not edit video or audio but will give notes to the production team to make the necessary cuts. It is the digital content editor’s responsibility to ensure that all published content meets a certain standard of quality, is relevant, and deemed useful for the audience.

Skills & Education

To be successful as a digital content editor requires a diverse range of education and experience. A college degree in communications, journalism, or English is relevant to this career. Study should include courses in creative writing, copyediting, news writing, digital media, and marketing. Training in the use of video editing and production equipment, in addition to audio production, is encouraged. The content editor should also be familiar with content management systems like WordPress, Drupal, and Tumblr, as well as basic CSS and HTML. Proficiency with Photoshop, Illustrator, and InDesign is also encouraged. Above all, the editor must possess the ability to guide contributors toward the creation of meaningful, quality content, with attention to serving the interests of the brand and the audience.

What to Expect

Employment opportunities exist with large entertainment companies such as film studios or record labels, and are available as regular, full-time positions. The digital content editor will typically work in conjunction with a larger marketing department, within the digital media or content marketing division. Similar positions exist with traditional news services and entertainment publications with an online presence. Like any newsroom, expect the pace to be hectic and always up against the clock. It is an unexplained reality that no matter how long you give a contributor to meet a deadline, he or she is likely to be late. You must learn to plan for such emergencies and always have a backup waiting. As a digital content editor, you will collaborate with writers, audio/video production teams, graphic designers, web developers, and project managers. Clear communication is a key to success, as is a respectful demeanor that encourages creative cooperation.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Video Digital Editing / Photo Credit: Entertainment Jobs

WHAT DOES AN BAND VIDEOGRAPHER DO? (In the Entertainment industry.)

Music Video Production House / Photo Credit: Midnight Creative Productions

WHAT DOES AN BAND VIDEOGRAPHER DO? (In the Entertainment industry.)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What Does An Band Videographer Editor Do?          

Similar to the work of a unit videographer, a band videographer is a freelance cameraperson who is hired to capture footage of live performances on behalf of the artist or band for the purposes of promotion.

Duties

The process of securing a gig begins in an initial meeting, where the videographer makes a bid on the project that details a specific fee or hourly rate for a particular project, like one performance or three weeks of touring. When the client agrees, the two parties enter into a temporary contract for services. At this time, the specific responsibilities of the videographer are outlined. In addition to recording live shows, this person may also be tasked with editing the video, applying after effects, inserting title cards, editing sound, and submitting to the members of the band to approve drafts as well as the final cut. In a separate design meeting, the videographer will seek the band’s input on how they would like to be portrayed, the style, and mood of the video. The musical style of the group will greatly affect the finished product, so the videographer is interested in listening to the band’s material and obtaining copies of their set lists for each performance.

The band videographer will be given backstage access and should communicate with the venue manager and concert producer to secure permission for video recording. During the performance, he or she uses a handheld digital video camera with onboard audio package to capture as many angles and perspectives of the performance as possible; this is called coverage. The more material shot, the more options and freedom the videographer will have in the editing process, which is typically done using Final Cut or similar non-linear editing software. While the band rocks out, the cameraperson should take care to capture personality shots of each member of the group; that’s footage of one member at a time displaying his or her individuality, like a soulful guitar solo or lead singer wailing. The videographer also wants to capture the vibe of the show, the energy of the room. After the performance, this person will have a specified amount of time to turn around the complete video. Again, during editing and finishing, the band may request to see rough cuts and suggest changes.

Skills & Education

A college degree in film and television production or digital video production is not a requirement for taping local bands in dive bars, but to advance your career to working with major recording artists, formal training is required. The band videographer should be proficient in the use of several formats of digital cameras, as well as Mac and PC editing software. Use of audio editing tools like Pro Tools, Final Cut, or similar applications is also necessary. This career demands that the individual be familiar with the concepts of color, light, and techniques of framing a shot, so study of still photography and fine art is also beneficial. Of course, you are expected to provide your own gear for gigs, so do your research and invest in a camera, editing software, and audio/lighting package.

What to Expect

Contracts will vary greatly by client, but many videographers have standard forms, which they offer to all clients, then make small changes as necessary. You can find examples of these through several sources online. One mistake some rookies make is not allowing enough time to deliver quality editing. Do not be afraid to take your time. It is better to be on deadline than to turn in a quick job that is substandard. As for payment, it is common to require half of the total fee upfront, and half upon delivery of the final edit. In addition, you should carefully consider (and research) your copyright options. Some bands may be content with allowing you to own any future reproduction rights, while others will insist that the band must own all material once delivered. To start your freelance career, you can contact local bands in your area to offer your services. They may ask that you do a couple of free gigs to prove your chops, but if you prove yourself, word of mouth will spread quickly. Just make sure to bill your work out at a price that is equal to your experience.

Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Sokanu, Raindance, Film Connection,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Music Video Production House / Photo Credit: Midnight Creative Productions