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Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

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Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

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Tuesday, January 9, 2018

SUPERVISING PRODUCER (In the Entertainment industry. What do they do?)

Bruce Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com

SUPERVISING PRODUCER

According to the Producers Guild of America, a supervising producer oversees one or more producers in the performance of some or all of their functions, on single or multiple projects, either in place of or subject to the authority of an executive producer. When we get down to the nitty-gritty of film and television production, however, there are countless tasks involved in this challenging but highly rewarding position.

What do Supervising Producers do?
A Supervising Producer supervises one or more producers in the performance of some or all of his/her/their producer functions, on single or multiple productions, either in place of, or subject to the overriding authority of an executive producer.

Supervises the creative process of screenplay development and often aids in script re-writes. They can also serve in place of the Executive producers' role of overseeing other producers.

GENERAL DUTIES
Producers are like captains of ships. They run things, organizing, planning, plotting and seeing to the myriad tasks that need completion for short and feature films and TV shows. They steer department heads and teams and arrange deals with attorneys. They adjust things when foul weather sets in. They keep the ship moving, protecting it, fueling it, and allocating funds for each crew member. If any system breaks down, they find solutions and keep things afloat, preventing mutiny. The numerous tasks any supervising producer undertakes overlap other producers' roles, sometimes leaving gray areas as to responsibilities. Chain of command must be clear before any production begins.

DEVELOPMENT AND PRE-PRODUCTION
During the developmental phases of a story or program, ideas are given shape. Supervising producers work closely with writers, directors, casting directors, department keys and the production office. At this stage, some SPs are involved in securing distribution and fundraising. Their jobs include overseeing finances, working alongside line producers to create budgets and scheduling. They are often in meetings or on the phone and computer, managing and fine-tuning all the plans that will proceed into actual production. Different roles are also determined by the production's being a studio, network or independent effort.

FILMING
During principal photography or shooting the actual content, supervising producers can be found either in the production office or on set working with writers and other producers or staff. They ensure scheduling is on track and budgets are adhered to. They check in with the script supervisor and first assistant director to ensure all the daily reports reflect that the project is on track. If filming falls behind, the SP nudges whichever departments need adjusting to get things back on track.

POST-PRODUCTION
Once filming is wrapped, or completed, editing begins toward the final cut: the end product that goes out to the world. During this phase, supervising producers continue the management components and advise in the editing process as part of the team of producers. This includes sound, visual, effects and other editing procedures. Records are coalesced, budgets balanced and final reports go in. Some supervising producers are only involved in this part of a project, thoroughly adhering to or aligning with assignments doled out by executive producers, directors and other producers.

ADDITIONALLY
Once everything is done and the film is ready to go to market, the supervising producer may be involved with finalizing distribution details. Getting the film or TV program through proper channels, as well as distributing payouts and deal completions, can go with the job. They could also be found representing the film at festivals, or to studio heads and other organizations. It's a huge job, with multiple facets, but the rewards are many once a project is successfully and skillfully completed. The ship is safely docked, and everyone can rest.


Sources, References & Credits: Google, Wikipedia, Wikihow, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Film Daily, The Balance, The Numbers, Film Maker Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Wise GEEK, Media Match, How Stuff Works, Career Trend, Producer's Code of Credits, Producers Guild of America, Film Connection


THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

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