Gnomon School of Visual Effects / Photo Image Credit: Jorik Dozy
VISUAL EFFECTS SUPERVISOR IN FILM
PRODUCTION… (In the Entertainment industry. Visual Effects Supervisor in Film
Production)
Bruce
Bisbey…please follow me at: https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.
Visual Effects Supervisor in Film Production
The Visual Effects Supervisor is responsible for the
design and execution of visual effects work on a given project. This can
include both on set supervision for acquisition of plates and elements and
supervision of the shot work through post production. In conjunction with the
Visual Effects Producer, the Visual Effects Supervisor is responsible for the
management and successful completion of the project. The Supervisor's input
will be required for issues such as artist performance and team selection,
liaising with the overall project supervisor, producer, or director as
required, scheduling of effects production, and estimating/bidding new work.
The Visual Effects Supervisor will also play an important role in the sales
efforts for new potential projects. This could include script reading and
breakdown, project time/budget estimation, attending first contact meetings and
conference calls with potential clients and being able to speak definitively
and clearly about the studio's abilities, resources and culture.
Computer-generated imagery is now as vital a tool in
film and television production as the script or the actors. Even low-budget
shows reserve some funding for the most basic of digital post-production. The
visual effects supervisor is the creative and technical manager, overseeing the
work of the staff dedicated to the art and science of VFX.
Duties
The visual effects supervisor is hired as early as
possible in the pre-production phase, and immediately meets with the director
and producer to discuss the script breakdown and specific VFX needs. With a
firm understanding of the director’s expectations, the visual effects
supervisor turns to his or her crew of concept artists, modelers, and animators
to design rough sketches, environment paintings, animatics, or 3-D models.
These materials will provide illustration for the director and producer and help
to further solidify the visual effects aesthetic. The supervisor will
collaborate with production department heads like the director of photography,
first assistant director, and production designer to dictate the use of blue
screen/green screen, motion control, or other necessary equipment. With the
designs approved, production begins.
While the film or television show is shooting, the
visual effects supervisor leads his or her team through any necessary research
and development of tools and software. He or she must also educate the team of
artists and programmers in the design protocol. If a plate supervisor is not
employed, the visual effects supervisor will trade time between the set and the
studio. On set, he or she must monitor shooting to ensure proper sight lines
for the actors, lighting, shot framing, and other elements that are necessary
for seamlessly integrating visual effects sequences into live action. Ideally,
captured footage is edited and locked continuously during principal photography.
This allows the VFX artists to begin work ahead of post-production, thereby
expediting the show’s completion. When shooting has wrapped and the project is
in post-production, the visual effects supervisor will generally instruct the
staff to develop rough animatics of each sequence; this allows the director to
visualize the end product and make changes before committing to the cost and
effort of a final render. On an established schedule (daily or weekly), the VFX
supervisor and director meet to view and approve sequences. Nothing is given a
final render without the director’s nod.
Skills & Education
A college degree in film and television production,
computer animation, or a related field is highly recommended. Formal training
in the use of visual effects and animation software such as Maya or LightWave
is required. Additional study of fine art is crucial and should include
drawing, painting, sculpting, still photography, color theory, and art history.
Further, the study of human and animal anatomy is extremely beneficial. The
visual effects supervisor should understand the techniques of film and digital
video production, as well as 3-D modeling, rigging, animation, match moving,
rotoscoping, and similar functions.
What to Expect
The visual effects supervisor’s job begins at
pre-production and continues through the end of post-production. On a film,
this may require one or two years dedicated to a single production. Episodic
television will generally stick with one crew; therefore, the job will last as
long as the show runs. In the studio, the VFX supervisor’s day is usually 10 to
12 hours long and begins with a review of dailies; this includes the rushes
from the editor and completed animatics from the VFX artists. Meetings with the
VFX department heads to discuss the team’s progress on effects art follow
dailies, and then it’s time to return phone calls and send emails. On set, the
hours are more erratic and the supervisor will keep a similar schedule to the
production crew. The producer or studio, through an independent VFX studio,
contracts most VFX work. Therefore, the supervisor is usually a full-time
employee of the studio, instead of a freelance artist. On big-budget
productions, there may be several supervisors in charge of managing certain
sequences.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media, Career Planner, Gnomon
School of Visual Effects
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Gnomon School of Visual Effects / Photo Image Credit: Jorik Dozy
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