Costume Designer Sketches / Photo Credit: Star Tribune
WHAT DOES A COSTUME DESIGNER DO?
(In the Entertainment industry. What
Does a Costume Designer Do?)
What Does a Costume Designer Do?
You can tell a lot about a character on the screen
before a word of dialogue is uttered—if the costume designer has done a good
job. Costumes reflect the character’s personality, culture, lifestyle, and
environment; more than just dressing the actor, costumes aid the story and the
performer’s immersion into the role. It is up to the costume designer to occupy
the character’s psyche and reflect it in the actor’s wardrobe.
Costume Designers' work helps to define the overall
‘look' of TV productions and films and their role requires a great deal of
expertise. This must be achieved within strict budgets, and to tight schedules.
They work closely with the Production Designer to
make sure the costumes fit in with their overall vision and work with the
chosen lighting and camera angles. They also collaborate with the hair and make-up
team to make sure a cohesive look is created.
During pre-production, Costume Designers break down
scripts scene by scene to work out how many characters are involved and what
costumes are required. They then develop costume plots for each character.
Plots ensure that colors and styles do not mimic each other in the same scene,
and highlight the characters' emotional journeys by varying the intensity and
depth of colors.
Costume Designers must carry out research into the
costume styles, designs and construction methods suitable for the time period,
using resources such as libraries, museums and the Internet. They may also
discuss costume and character ideas with performers.
They deliver initial ideas to Directors about the
overall costume vision, character plots and original costume designs, using
sketches and fabric samples. They also discuss color palettes with the Director
of Photography and Production Designer.
Costume Designers ensure that accurate financial
records are kept and weekly expenditure reports are produced. They prepare
overall production schedules, as well as directing the day-to-day breakdowns of
responsibilities.
They choose and hire appropriate suppliers and
Costume Makers, negotiating terms with them, and communicating design
requirements (on a smaller-scale production a Costume Designer would be
involved in both the design and the making processes).
They arrange fittings for Actors and extras. They
supervise fabric research and purchase, and ensure that garments are completed
to deadlines.
Depending on the numbers of costumes to be created
and the scale of budgets, Costume Designers may decide to create a dedicated
Costume Workshop.
They should be on set whenever a new costume is worn
for the first time to make sure that performers are comfortable, to explain
special features, and to oversee any alterations.
Once filming is completed, Costume Designers are
responsible for the return of hired outfits, and the sale or disposal of any
remaining costumes.
Costume designers may be required to work long hours;
evening and weekend work may be involved when working to deadlines.
They can be based in a studio, office or home-based
environment when designing and making the garments. Travel to locations for TV
and film productions is common and they are often required to attend meetings
at theatres or TV/film production companies.
Duties
As a member of the art department, the costume
designer works with the director, production designer, and art director to
design wardrobe for every actor, right down to the extras. The design process
begins with a script breakdown and costume plot that details who wears what,
and when. The garments must reflect the overall aesthetic vision of the
production with complementary colors, textures, and styles. Once a plan for
each piece of wardrobe is established, with consideration given to which pieces
will be constructed and which will be rented or bought, the costumer
establishes a budget and hires crew members and specialists.
Think of your favorite film and how the costumes
reinforce the time period and location; often the wardrobe is just as
identifiable and iconic as the performer wearing it. You’d be hard-pressed to
find anyone who didn’t readily recognize Darth Vader’s helmet from Star Wars,
or Mad Men’s 1960s-era sharp, tailored ad execs and curvy secretaries. The
costume designer is responsible for supervising his or her staff through
pattern-making, construction, and fittings. Everything from earrings to
slippers is under the creative management of the costume designer.
Skills & Education
Strong artistic ability and impeccable fashion sense
is a must. Costume designers may develop their talents through a formal
education in fashion design, film and television production, or theatrical
design. A college degree is not required, but you won’t get by with only good
taste and great illustrations. In this job, you’ve got to be capable of taking
the design from paper to wearable; that means sketching, making patterns,
sewing, and everything in between. If you’re attracted to this position, you’re
probably already a fashion fanatic, but it’s even more important to be a
whiz-bang tailor. The reason that simple jeans-and-T shirt combo looks so
perfect on Scarlett Johansson? A great body, yes, but also because it’s been
fitted especially for her. You need to know how to make someone look 6 inches
taller and 30 pounds lighter—or 6 inches shorter and 30 pounds heavier. It is
also important to understand the technical elements associated with costume
design for stage and screen: lighting, color theory, the strobing effect of
patterns, and chromakey process. If you don’t have one already, get a sewing
machine and start experimenting, then dive into every fashion magazine and
inspirational source you can get your hands on.
What to Expect
Outrageous fashion statements are not the greater
part of costuming, though you need to be able pull off a showstopper when
required. The majority of costume designers toil away on sitcoms and
contemporary films, pairing together jeans and T-shirts, dresses and suits,
that fit in rather than steal the eye. While fitting actors, you will come in
close physical contact with the actors; you should always be sure your breath
(and underarm area) is fresh, but be ready to overlook it if the actor’s isn’t.
And keep in mind that you’ll be seeing people at their most
vulnerable—unclothed, struggling into a pair of pantyhose or a girdle (that
goes for actors and actresses both), exposing their flaws for you to fix; a
reputation for discretion and kindness will make you a favorite and may get you
more work.
Like most production jobs, this is generally a
freelance career, but opportunities are available for staff positions on television
series and within theatrical production companies, among others. It is your
highly trained hands that will move you up the ladder, as your first
post-assistant job may be as a stitcher, cutter, or tailor. From there
advancement will depend on your aptitude for research and imagination, and your
ability to interpret and execute the director’s vision.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony
Pictures,
THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS
PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED
REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE,
MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS
INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR
TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN
RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF
THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL,
INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES
WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT
(INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF
THIS INFORMATION.
Costume Designer Sketches / Photo Credit: Star Tribune
No comments:
Post a Comment