Gaffer Lighting / Photo Credit: Creative Skillset
WHAT DOES A GAFFER DO? (In the
Entertainment industry. What Does A Gaffer
Do?)
What Does A Gaffer Do?
A gaffer in the motion picture industry and on a
television crew is the head electrician, responsible for the execution (and
sometimes the design) of the lighting plan for a production. ... The key grip
is the head grip, in charge of the labor and non-electrical equipment used to
support and modify the lighting. The term gaffer originally related to the
moving of overhead equipment to control lighting levels using a gaff. The
gaffer's assistant is the best boy.
Lighting is one of the most important components to
setting up the perfect shot. Proper lighting completes the scene by adding a
dark and gloomy hue to an ominous rainy night, or sundrenched haze on a deserted
island. Directors cannot rely on natural lighting to accomplish their vision;
instead they create their own effects with the help of the gaffer.
Sometimes the gaffer is credited as Chief Lighting
Technician (CLT).
The term has been used for the chief electrician in
films since the 1930s. The Oxford English Dictionary has a citation from 1936;
a 1929 book on motion picture production also uses the term. The gaffer is
responsible for managing lighting, including associated resources such as
labor, lighting instruments and electrical equipment under the direction of the
Director of Photography (the DP or DOP) or, in television, the Lighting
Director (LD).
The DP/LD is responsible for the overall lighting
design, but delegates the implementation of the design to the gaffer and the
key grip. The key grip is the head grip, in charge of the labor and
non-electrical equipment used to support and modify the lighting. Grip
equipment includes stands, flags and gobos. The gaffer will usually have an
assistant called a best boy and, depending on the size of the job, crew members
who are called "set lighting technicians" or
"electricians", although not all of them are trained as electricians
in the usual sense of the term.
Although gaffer tape is used within the film/TV
Industry as a strong cloth-backed adhesive tape, many other types of tape are
also used, such as paper tape, pressure-sensitive tape (A.K.A. snot tape),
electrical tape, J-LAR, and cloth tape. Gaffer tape is typically utilized by
set lighting technicians under the supervision of, and not directly by, a
gaffer. The gaffer is the head electrician in a movie crew; it's their job to
manage the lighting, making sure the levels are appropriate for the desired
effect in the scene. The gaffer is assisted by the best boy, and may have a
crew of electricians. A grip is also concerned with lighting, but from the
mechanical side.
Duties
In the film and television industry the head of the
electrical department is known as the chief lighting technician (CLT) or, more
commonly, the gaffer. The gaffer answers to the director of photography, who
helps interpret the director’s vision of the overall look of the film.
Assisting the gaffer are the best boy electric (assistant CLT) and a crew of
technicians generally called electricians or lamp operators.
The gaffer is tasked with designing the lighting plot
for each shot of a film or TV show. (In some cases a lighting director may
handle this duty on a television set.) The gaffer selects the proper
instruments for each shot based on the environment, camera angles, desired
effect, and available ambient lighting. The gaffer adjusts color temperature
with the use of colored gels and manipulates the direction and intensity of
light by using barn doors, flags, and reflectors. The set-up of all lighting
instruments, cables, generators, and accessories is directed by the gaffer,
supervised by the best boy, and carried out by the crew of electricians. During
the filming of the scene the gaffer monitors the lighting conditions, while the
electricians and grips are tasked with holding flags or reflectors and
operating other lighting effects for complex shots such as action sequences.
After the shot, the electricians tear down the gear and move on to set up the
next one. As a department, the gaffer and electricians are responsible for the
operation, maintenance, and repair of all electrical (not audio or camera)
equipment on set. A gaffer will typically have his or her own truck stocked
with a basic lighting kit, and will rent additional gear as needed.
Skills & Education
You are not expected to have a specific degree to
become an electrician or gaffer, but you will need experience and training in
film/TV production. A college education in this field is a great place to start
to build your résumé and compile a demo reel of your work. Student films and
independents are the best way to start learning the trade. Work in the
electrical department requires knowledge of lighting equipment, electricity,
and color theory. Courses in art, photography, and electrical engineering are
helpful. Most electricians at all levels must become members of the
International Alliance of Theatrical Stage Employees, the union that represents
technicians in film, TV, and theater. IATSE offers an apprenticeship program to
learn the craft, and requires members to complete specific training and safety
courses.
What to Expect
To become a gaffer you will have to spend years
working your way up the ladder. To get your foot in the door, look for
opportunities as an intern with a production company or jobs as an on-set
production assistant. You will have to do a lot of grunt work before you land a
slot in the electrical department, but once you prove that you are a hard
worker and reliable, you will be given the chance to take on more
responsibility. A good attitude and willingness to learn is key, and a sense of
humor and lack of ego will help you fit in with the crew. Stress and long hours
are part of the package. Cultivating a successful career in film/TV production
takes commitment; results rarely come quickly, but a comfortable living can be
made as a gaffer.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony
Pictures, Ella Laryen,
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Gaffer Lighting / Photo Credit: Creative Skillset
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