Picture of Prep the Floor / Photo Credit: Instructables
WHAT DOES A PAINTER/SCENIC DO? (In
the Entertainment industry. What
Does A Painter/Scenic Do?)
What Does A Painter/Scenic Do?
Scenic Artists paint backdrops, murals and many other
elements on film sets. ... They may be asked to paint complex prop pieces. They
are responsible for scheduling their own work, buying in the necessary
supplies, and translating the production designer's vision into reality.
Scenery grounds a story in a particular time and
place and is one of the visual elements that most absorbs an audience into the
scene with the cast on screen. Carpenters are responsible for building those
sets, but the sets are never complete until the crew of painters has taken
their brushes to them.
Professional painters prepare and paint interior and
exterior surfaces. They may work on residential or commercial properties. Job
duties for professional painters include removing old paint, priming surfaces,
choosing materials, selecting and mixing colors and cleaning up job sites.
Painters in the film industry carry out many of the
same tasks as domestic painters, e.g., surface preparation, which involves
using cleaning materials, stripping aids and fillers; and applying sealers,
fungicidal washes, primers, undercoating and finishing materials with a brush
or roller.
They also carry out more advanced tasks, such as
applying specific finishes. This may involve painting cars with a metallic
finish; using a spray gun to cover a huge background surface; applying fine
specialist finishes such as replica marbling and graining effects to sets;
applying paint to pipes to make them look old and rusty; and hanging large wall
coverings.
Painters often have to produce complex stencil
designs and apply transfer gold to ornate areas.
They usually supply their own tools, such as specialized
brushes, and occasionally their own paints, e.g., crackle glazes and certain
washes.
They help to erect and take apart the working
platforms needed to access painting sites.
Painters are initially briefed by Chargehand
Painters, who explain which finishes are needed, where they are to be applied
and what color schemes are to be used.
They are responsible for making sure their work is
completed to the standards and deadlines set by Chargehand Painters.
Painters must meet strict health and safety
guidelines, carry out their tasks in a safe work environment, and clean up and
dispose of any waste in their work area.
Duties
Within the paint department, the most entry-level
position is that of the painter. This person works under the direction of the
lead painter and paint foreman but has the least responsibility on the crew. He
or she will be tasked with prep work and keeping the shop clean, as well as the
primary task of painting set pieces, props, backdrops, cutouts, and permanent
structures. Prep work can entail sanding, filling, and priming. Other duties
delegated to the junior painter may include undercoating and spray-painting.
Additionally, this person may be required to use such materials as varnish,
plaster, and faux cement treatments. The painter will be delegated tasks by the
paint foreman on behalf of the paint coordinator, and at all times must adhere
to the design specifications established by the production designer and art
director. This person is expected to follow policies and procedures for safety
and hazardous material storage within the shop and shall use appropriate
personal protective equipment as necessary.
Skills & Education
A college degree in film and television production is
recommended but not required for this position. Majors in theatrical design and
fine art are also applicable. Coursework should include training in common
scenic painting techniques and use of standard materials, as well as proper
handling of hazardous substances. Study of traditional drawing, painting,
sculpting, still photography, and art history are valuable to this occupation.
A successful junior-level painter will be eager and willing to learn from
veteran crewmembers and capable of following direction with minimal
supervision.
What to Expect
As an entry-level position, professional experience
is not required, though standards will vary from one production to the next.
Previous work as an intern or on student films is desirable and helpful to
seeking employment, as it displays an understanding of the production process
and proves that the individual is capable of meeting expectations. Most
importantly, a prospective painter must have a portfolio that demonstrates
artistic talent as well as an understanding of technique. Small-scale examples
are useful, but the paint coordinator or foreman looking at your work is more
interested in large-scale projects like sets or stage backdrops. Experience as
a commercial or residential painter is applicable, as is previous employment in
the theatrical arts. Painters may work as freelance artists or find full-time
employment at a scenic studio that caters to the entertainment industry. To find
available gigs, you can comb the trade magazines for projects in
pre-production. With that information, contact the production office and ask to
speak to the person in the paint department responsible for hiring. You won’t
always get through, but persistence pays off. If all else fails, work as a
production assistant can allow you to make contacts within the paint department
toward a future gig.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony
Pictures,
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Picture of Prep the Floor / Photo
Credit: Instructables
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