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Dumb Dog Production is a full-service Film Production Company. We hope you find the site informational and answers any questions you might have about the entertainment industry.

We do not claim that this site is a be all and means to an end, but to help guide and learn how the entertainment industry work.

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Sherri (Bisbey) Rowe / Bruce Bisbey / James Bisbey

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Friday, September 14, 2018

WHAT DOES A PAINTER/SCENIC DO? (In the Entertainment industry. What Does A Painter/Scenic Do?)

Picture of Prep the Floor / Photo Credit: Instructables


WHAT DOES A PAINTER/SCENIC DO? (In the Entertainment industry. What Does A Painter/Scenic Do?) 


What Does A Painter/Scenic Do?

Scenic Artists paint backdrops, murals and many other elements on film sets. ... They may be asked to paint complex prop pieces. They are responsible for scheduling their own work, buying in the necessary supplies, and translating the production designer's vision into reality.

Scenery grounds a story in a particular time and place and is one of the visual elements that most absorbs an audience into the scene with the cast on screen. Carpenters are responsible for building those sets, but the sets are never complete until the crew of painters has taken their brushes to them.

Professional painters prepare and paint interior and exterior surfaces. They may work on residential or commercial properties. Job duties for professional painters include removing old paint, priming surfaces, choosing materials, selecting and mixing colors and cleaning up job sites.

Painters in the film industry carry out many of the same tasks as domestic painters, e.g., surface preparation, which involves using cleaning materials, stripping aids and fillers; and applying sealers, fungicidal washes, primers, undercoating and finishing materials with a brush or roller.

They also carry out more advanced tasks, such as applying specific finishes. This may involve painting cars with a metallic finish; using a spray gun to cover a huge background surface; applying fine specialist finishes such as replica marbling and graining effects to sets; applying paint to pipes to make them look old and rusty; and hanging large wall coverings.

Painters often have to produce complex stencil designs and apply transfer gold to ornate areas.

They usually supply their own tools, such as specialized brushes, and occasionally their own paints, e.g., crackle glazes and certain washes.

They help to erect and take apart the working platforms needed to access painting sites.

Painters are initially briefed by Chargehand Painters, who explain which finishes are needed, where they are to be applied and what color schemes are to be used.

They are responsible for making sure their work is completed to the standards and deadlines set by Chargehand Painters.

Painters must meet strict health and safety guidelines, carry out their tasks in a safe work environment, and clean up and dispose of any waste in their work area.

Duties
Within the paint department, the most entry-level position is that of the painter. This person works under the direction of the lead painter and paint foreman but has the least responsibility on the crew. He or she will be tasked with prep work and keeping the shop clean, as well as the primary task of painting set pieces, props, backdrops, cutouts, and permanent structures. Prep work can entail sanding, filling, and priming. Other duties delegated to the junior painter may include undercoating and spray-painting. Additionally, this person may be required to use such materials as varnish, plaster, and faux cement treatments. The painter will be delegated tasks by the paint foreman on behalf of the paint coordinator, and at all times must adhere to the design specifications established by the production designer and art director. This person is expected to follow policies and procedures for safety and hazardous material storage within the shop and shall use appropriate personal protective equipment as necessary.

Skills & Education
A college degree in film and television production is recommended but not required for this position. Majors in theatrical design and fine art are also applicable. Coursework should include training in common scenic painting techniques and use of standard materials, as well as proper handling of hazardous substances. Study of traditional drawing, painting, sculpting, still photography, and art history are valuable to this occupation. A successful junior-level painter will be eager and willing to learn from veteran crewmembers and capable of following direction with minimal supervision.

What to Expect
As an entry-level position, professional experience is not required, though standards will vary from one production to the next. Previous work as an intern or on student films is desirable and helpful to seeking employment, as it displays an understanding of the production process and proves that the individual is capable of meeting expectations. Most importantly, a prospective painter must have a portfolio that demonstrates artistic talent as well as an understanding of technique. Small-scale examples are useful, but the paint coordinator or foreman looking at your work is more interested in large-scale projects like sets or stage backdrops. Experience as a commercial or residential painter is applicable, as is previous employment in the theatrical arts. Painters may work as freelance artists or find full-time employment at a scenic studio that caters to the entertainment industry. To find available gigs, you can comb the trade magazines for projects in pre-production. With that information, contact the production office and ask to speak to the person in the paint department responsible for hiring. You won’t always get through, but persistence pays off. If all else fails, work as a production assistant can allow you to make contacts within the paint department toward a future gig.


Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures,

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

 Picture of Prep the Floor / Photo Credit: Instructables

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