The Martian Richard Stammers VFX / Photo Credit: The Art of VFX
WHAT DOES A PLATE SUPERVISOR DO?
(In the Entertainment industry. What
Does A Plate Supervisor Do?)
What Does A Plate Supervisor Do?
A plate, in production terms, is footage shot to be
used for visual effects in post-production. An example of a plate may be a
sequence of actors fleeing from a mega-monster that will be integrated into the
scene during post-production, or simply background footage of landscape that
will have all foreground action added later by a match mover.
Duties
The plate supervisor is a member of the visual
effects team, and is hired to oversee live action shooting as it relates to VFX
post-production. As in the examples above, the plate supervisor understands how
the shot must be laid out and how long the scene must run to accommodate the
monster that the team of artists has been working on back at the studio.
Therefore, he or she works closely with the director and director of
photography on set as a consultant, helping them to visualize what the end
product will look like. Additionally, the plate supervisor may be hired to
exclusively work on the second unit, shooting plate footage separately from the
first unit crew.
In pre-production, the plate supervisor participates
in previz (pre-visualization) meetings with the producer, directorial team, and
visual effects staff. There, shots will be planned to accommodate VFX elements
that will be added in post. Rough 2-D or 3-D animations (called animatics) are
played in order to demonstrate the basic VFX sequences that have been designed
to complete the scenes in the script that are impossible to create during live
photography. The plate supervisor takes copious notes regarding necessary live
shots and precisely times each sequence based on the script and director’s
vision. That information will be used on set to guide the director and ensure
that when the footage arrives at the VFX studio, the effects and animation can
be seamlessly integrated without any need for reshoots.
Skills & Education
A college degree in film and television production,
computer animation, digital art, or a related field is required. Coursework
should include studio art, including still photography. Proficiency with
digital art tools such as LightWave, Maya, or 3ds Max is necessary, and
training with Avid and Final Cut Pro is also useful. A plate supervisor should
be a jack-of-all-trades, capable of match moving, rotoscoping, character
rigging, and animating. Furthermore, this career demands an individual who can
get in sync with the director’s creative vision. You must be organized,
detail-oriented, and an excellent communicator.
What to Expect
Depending on the size and budget of the production,
the plate supervisor may be only one of several visual effects supervisors. He
or she is assigned to the set to allow the VFX supervisors at the studio the
freedom to concentrate on art creation, without having to worry about
photography on set. Lateral moves between working on set and working in the
studio are easy to come by and generally happen based on the skills required
for a particular project. Employment opportunities are most plentiful within
visual effects studios that cater to film and television. Freelancing is a
viable career choice, but is less stable. To reach this senior-level role,
pursue roles in post-production art like match mover, rotoscope artist, or
render wrangler.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony
Pictures,
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The Martian Richard Stammers VFX
/ Photo Credit: The Art of VFX
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