Prop Buyer - Fake Weapon props / Photo Credit: Premium Beat
WHAT DOES A PROP BUYER DO? (In
the Entertainment industry. What
Does A What does a Prop Buyer Do?)
What Does A Prop Buyer Do?
Production Buyers usually start work two weeks after
the Set Decorator is hired. They mark up (make notes on) the script and make a
list of all the props needed. There are two types of props: action props, which
are described in the shooting script; and dressing props, which give a certain
atmosphere and sense of period to a place or set. After this list has been
checked with the Set Decorator, they both visit or contact various prop houses
to make provisional bookings.
Once the schedule is fixed, Production Buyers begin
an intense period of work preparing orders for thousands of props, working out
dates and durations of hire to minimize costs, and confirming collection and
return dates with the Props Master.
Using Excel spreadsheets, Production Buyers produce
weekly budgets for the Production Accountant so that all spending can be
closely monitored.
On low to moderate budget period dramas where no
Assistant Set Decorator is employed, Production Buyers may also help with some
Art Department research. Using books, magazines and the internet they help the
Set Decorator choose suitable props.
While sets are being decorated, Production Buyers
work at the studio or on location, helping with any last-minute requests from
the Set Decorator, using their expert knowledge of suppliers and hire companies
to find specific items.
Throughout the shoot, Production Buyers continue to
source any other props needed and oversee all collections and returns. They are
also responsible for the Art Department petty cash, which must be carefully
monitored and reconciled at the end of each production.
Production Buyers work on a freelance basis, usually
on both television and film productions. The hours are long and the job can
involve long periods working away from home.
Duties
As a member of the props team within the art
department, the prop buyer is responsible for sourcing props for a feature film
or television production. In conjunction with that task, this person is also
charged with maintaining records concerning rental agreements and invoices.
Under the supervision of the property master during pre-production, he or she
will review the script breakdown and list of required props. When necessary,
the buyer will perform research to ensure that props meet the historical
context or time period of the story. Oftentimes, this person will seek out
photographic or illustrated references from the production designer or art
director before selecting props.
In sourcing items for the production, the prop buyer
can generally fulfill the majority of his or her list at a prop rental house or
from the production studio’s on-site warehouse. In the event that a particular
item is rare or otherwise hard to find, he or she may resort to consignment
shops, online re-sellers, or seeking out a private owner. For those items,
which are too costly or too specialized to rent or buy, the art department will
be commissioned to fabricate original props.
Options are key when sifting through props. Rather
than gathering one of each item on the list, the prop buyer will usually set
aside several variations—think dinnerware in five different patterns or colors.
It will be left up to the property master and director to make the final call.
While the production designer might have envisioned a stark-white place
setting, on set, the director may see the lighting and decide a splash of color
is necessary.
Skills & Education
There is no standard training for this position, but
a prop buyer is greatly benefited by an education in film and television
production, theatrical design, or art history; coursework in basic accounting
and asset management may also be helpful. Previous employment in one or more
areas of a production art department is required. The person in this role
should have excellent organizational skills and a keen attention to detail.
Also crucial is the ability to methodically maintain strict schedules and
budgets involving large inventories.
What to Expect
The role of the prop buyer is typically a freelance
position. Those working in the field may come to the role from within the art
department as a props technician, production assistant, or set dresser. A great
deal of trust is placed in the prop buyer’s ability to be discerning and
selective. Yes, options are highly desirable, but it isn’t practical to clear
out the entire prop warehouse and haul it to the set. Instead, the prop buyer
makes careful choices about which items should be brought in bulk. Anyone can go
on a shopping trip and come back with three of everything. The art department
relies on a prop buyer to make the first edit and consider the aesthetic and
practical needs of the production when choosing props.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, The Numbers, Film Maker, TV Guide Magazine, Media
Match, Quora, Creative Skill Set, Investopedia, Variety, No Film School, Daily
Variety, The Film Agency, Best Sample Resume, How Stuff Works, Career Trend,
Producer's Code of Credits, Truity, Production Hub, Producers Guild of America,
Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony
Pictures, Warner Bros,
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Prop Buyer - Fake Weapon props / Photo Credit: Premium Beat
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