Script Editing / Photo Credit: Videomaker
WHAT DOES A SCRIPT EDITOR DO? (In
the Entertainment industry. What
does a Script Editor Do?)
What does a Script Editor do?
Script editor
Script editors have insight into the effect of
different types of narrative. Script editors form objective, reasoned and valid
opinions about the premise, synopsis, treatment or screenplay. They mediate
between the screenwriter's creative desires and the marketplace. Script editors
often have a keener insight into the structure of screenplays than
screenwriters. They are heavily involved in development meetings, one-to-one
editorial meetings and regular email feedback. Script editors negotiate
contracts before starting, setting out fees and deadlines. Script editors
either work freelance or in-house.
One aspect of a script editor's job is to take a film
script that has already been written and reshape it to suit the director's
vision. In television, a script editor may simply be a more experienced writer
who is responsible for the overarching storyline and development of shows in a
series.
In other words, a script editor refines the
screenplay of a film to suit what the director feels are the most compelling
aspects of it. In television, this person has a better perspective on the
characters, aim of the show, etc., and can better refashion each episode's
script to suit those aspects of the show.
The script editor is a member of the production team
of scripted television programs, usually dramas and comedies. The script editor
has many responsibilities including finding new script writers, developing
storyline and series ideas with writers, and ensuring that scripts are suitable
for production. The script editor will work closely with the writer at each
draft of the script, giving the writer feedback on the quality of the work,
suggesting improvements that can be made whilst also ensuring that practical
issues like show continuity and correct running time are adhered to. Unlike the
writers, script editors will usually be full-time members of the production
team, working closely with the producer, if the script writer is not a
producer.
So a script editor will often have to dance a long a line
between keeping a sensitive writer “on-side”, managing the expectations of the
producer (and financier, or TV network), and also ensuring deadlines are met
and the train stays on the tracks.
Working one-on-one with a script editor is one of the
best ways to improve and hone a project. Getting feedback in person from
someone who’s in your corner, understands where the project has come from and
is going to, can be hugely helpful to a writer.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide
Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia,
Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample
Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production
Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In
Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty
101, Careers Hub, Screen Play Scripts,
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Script Editing / Photo Credit: Videomaker
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