Pre-Production / Photo Credit: SlidePlayer
WHAT DOES PRE-PRODUCTION MEAN IN
FILM? (In the Entertainment industry.)
What does pre-production mean in film?
Pre-production is the process of planning some of the
elements involved in a film, play, or other performance. There are three parts
in a production: pre-production, production, and post-production.
Pre-production ends when the planning ends and the content starts being
produced.
In filmmaking and video production, pre-production
formally begins once a project has been greenlit.
This can take weeks, months, or even years if the
process involves developing new technologies or changes to casting, funding,
distribution, etc. If the script is finished and has an actor or director
eagerly attached at the get-go, which will help speed things up. Some directors
take a very long time in pre-production, to expedite the production phase and
to put a lot of care into having things exactly as they want them. Usually,
it's a period of a few to several months, depending on how early in development
the film gets a green light.
At this stage, finalizing preparations for production
go into effect. Financing will generally be confirmed and many of the key
elements such as principal cast members, director and cinematographer are set.
By the end of pre-production, the screenplay is usually finalized and
satisfactory to all the financiers and other stakeholders.
During pre-production, the script is broken down into
individual scenes storyboards and all the locations, props, cast members,
costumes, special effects and visual effects are identified. An extremely
detailed schedule is produced and arrangements are made for the necessary
elements to be available to the film-makers at the appropriate times. Sets are
constructed, the crew is hired, financial arrangements are put in place and a
start date for the beginning of principal photography is set. At some point in
pre-production there will be a read-through of the script which is usually
attended by all cast members with speaking parts, the director, all heads of
departments, financiers, producers, and publicists.
9 Stages of Pre-Production
Posted on December 15, 2017 by Jack Picone
The first day of shooting on a movie set is never the
first day that film is being produced. Days, and sometimes weeks, months, years,
or—in the case of James Cameron’s “Avatar” or Terry Gilliam’s “The Man Who
Killed Don Quixote”—decades can go by from the beginning of a film’s inception
to when cameras just start rolling. The production and subsequent
post-production processes of a movie can be shorter, longer, or about the same,
but neither can exist without pre-production—the work that goes into a film
before any images are recorded.
Pre-production, like the filmmaking as a process as a
whole, is complicated and can be daunting for independent filmmakers. Here are
nine stages—each with their own subdivisions of tasks and labor—that should be
included in your pre-production process if you want to ensure a steady,
fruitful film shoot from day one.
Finalize a Shooting Script
While movies are magical, they don’t come out of thin
air. Even before the pre-production process starts, you need an idea, and often
a fairly polished screenplay to work off of. But when it’s crunch time, you
need to finalize that screenplay and convert it to a shooting script—one that
reads for the director, cinematographer, and camera crew as well as it does for
the actors. Tweaks and whole scenes may be edited, added, or deleted at any
time (sometimes even in post-production!) but for the most part your shooting
script should be ready to shoot by the time the director first calls action.
Storyboards & Shot Lists
Storyboards & shot lists go hand-in-hand with
shooting scripts—creating a visual interpretation of the screenplay for the
director and cinematographer to reference and prepare for. While some directors
know exactly what they want in their hand and can draw it themselves, usually
storyboard artists are hired to bring the story to life. Once a film is
seen—even in black-and-white sketches—it comes alive in a way that the entire
crew can see and gives them a concrete vision to strive for.
Find the Right Crew
While some crew positions might already be attached
or recommended for a project, and other positions, like your writer and
storyboard artist, could be hired very early in the process—you should work to
get the entire team rounded out before pre-production gets too involved. After
all, these are the women & men who will be carrying out a lot of these
tasks, and the sooner they are involved in the creative process, the more
valuable their input will be. All of filmmaking is a collaboration—not just the
shooting!
Location Scouting
You may need to tailor your storyboards to your
location or vice-versa, so finding them early is key. Many hands-on producers
& directors may want to do this themselves, but often the smartest thing to
do is hire a professional location scout who already has locales in mind or
knows how to find original ones perfect for your script. If you’re shooting in
a studio or soundstage, you’ll want to find the right one early and make sure
it’s not booked before you can lock it in—treat them as you would reception
halls for your own wedding! Finding real world locations early is just as
important because you’ll want enough time to process the necessary permits
& paperwork.
Create a Proper Budget (and Stick to It!)
By now you should be finalizing your budget, to make
sure you can find the gear and afford the locations you want to use. Sometimes
this is the professional thing to do; sometimes it’s the necessary thing to do
because you’re not working with any credit or financial backers willing to give
any more than they already promised. This is never the most fun part of
pre-production, but very often it’s the most important.
Choose Your Gear
Are you shooting digitally or going old school with
some 16mm film? Or are you saving money and shooting the entire film on your
iPhone? Once you have the answers to these questions you can acquire your
gear—often from a rental house. After your first film you may establish a
relationship with a particular rental house and can negotiate discounts and
figure out just exactly what your budget will allow when it comes to peripheral
equipment. Maybe you can afford that ultracool fog machine after all!
Clear That Red Tape
Once you know what gear and locations you want,
you’re going have to get into the paperwork—namely, permits and insurance.
Permits are required from municipal governments to shoot on public property and
location agreements are typically needed for use of private homes—especially if
you’ll need to move furniture or equipment around or repaint the walls after
the shoot, etc. You’ll also need insurance to protect yourself in the event you
or one of your crew members accidentally do damage to the location or your
rented film equipment. Finally you may need to cover your crew and cast as
well—better safe than sorry!
Find the Right Cast
With your dominos falling in place you’re going to
need to finally decide on your cast—this could feel impossible, no matter how many
actors your audition. You might be frustrated you can’t find the perfect person
for the role you envisioned in your head, or maybe you found two equally
brilliant performers and you’re pulling your hair out trying to decide between
the two. Either way, auditioning early and often and even employing a casting
agent to find even more performers, possibly from outside your locality, will
go a long way towards giving your movie the perfect cast.
Rehearse, Rehearse, Rehearse
Sometimes finding the perfect cast could make a
filmmaker overconfident, leading them to put too much responsibility on their
cast to be self-sufficient. Actors need their director just as much as the crew
does, and working with them both one-on-one and as an ensemble is a vital part
of the pre-production process. Holding table reads and rehearsals weeks before
shooting will ensure that when the camera is ready to the roll, your cast will
be giving the performance your movie truly needs. This extra time before the
shoot also allows the cast to develop a genuine chemistry that will not go
unnoticed by your audience.
Sources, References & Credits: Google, Wikipedia, Wikihow, WikiBooks,
Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New
York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide
Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia,
Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample
Resume, How Stuff Works, Career Trend, Producer's Code of Credits, Truity, Production
Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In
Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty
101, Careers Hub, Screen Play Scripts, Script Doctor, ASCAP, Film Independent, Any
Possibility, Ethan Laughman, CTLsites, NYFA, Jack Picone
THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS
PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED
REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE,
MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS
INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR
TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN
RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF
THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL,
INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES
WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT
(INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF
THIS INFORMATION.
Pre-Production / Photo Credit: SlidePlayer
No comments:
Post a Comment