WHAT IS THE CODE OF PRACTICES FOR TELEVISION BROADCASTERS? (In the Entertainment industry.)

Seal of Good Practice / Photo Credit: CPTB

WHAT IS THE CODE OF PRACTICES FOR TELEVISION BROADCASTERS? (In the Entertainment industry.)  

Bruce Bisbey…please follow me at: https://dumbdogproductions.com/

https://dumbdogproductionsllc.blogspot.com or https://www.facebook.com/DumbDogProductionsLLC/ thank you.

What is the code of practices for television broadcasters?  

The Code of Practices for Television Broadcasters, also known as the Television Code, was a set of ethical standards adopted by the National Association of Broadcasters (NAB) for television programming from 1952 to 1983. The code was created to self-regulate the industry in hopes of avoiding a proposed government Advisory Board and satisfying parental concerns over violence and other matters. Prior to the Television Code, the 1935 NAB Code of Ethics for radio was applied to television but fewer than half of television stations subscribed to it; when the Television Code was first issued, two-thirds of stations became subscribers.

Content

The code was first issued on December 6, 1951, and amended multiple times, especially in the wake of the 1950s quiz show scandals, Congressional hearings into violence (1952, 1954), and concern over the possible blurring of fact and fiction in early docudrama.

The code prohibited the use of profanity, the negative portrayal of family life, irreverence for God and religion, illicit sex, drunkenness and addiction, presentation of cruelty, detailed techniques of crime, the use of horror for its own sake, and the negative portrayal of law enforcement officials, among others. The code regulated how performers should dress and move to be within the "bounds of decency". Further, news reporting was to be "factual, fair and without bias" and commentary and analysis should be "clearly defined as such". Broadcasters were to make time available for religious broadcasting and were discouraged from charging religious bodies for access. Most importantly, it limited the commercial minutes per hour.

In 1973, responding to concerns raised by Action for Children's Television, the NAB revised the code to limit commercial time in children's programming to twelve minutes per hour. Additionally, the hosts of children's television programs were prohibited from appearing in commercials aimed at children. This became Section XIV “Time Standards for Non-Program Material”.

Enforcement

The Television Code rules were interpreted, monitored, and enforced by the Code Authority Director, who was appointed by the President of the NAB. The Code Authority interpreted the code by providing advice, publishing guidelines and amendments to clarify code provisions, and issuing rulings on specific programs or commercials, although most cases were resolved through negotiation rather than rulings. The main concern of code staff was commercials, not program content. The Code Authority had three offices in New York, Hollywood, and Washington D.C. and published a monthly newsletter, Code News.

The Television Code provided for suspension and expulsion of subscribers as determined by the NAB Television Code Review Board whose members were subscribers to the Code and appointed by the NAB President. The Board checked compliance through a system of biannual monitoring backed up by complaint letters coming mostly from competing stations. Appeals of the Review Board’s decisions could be taken to the NAB Television Board of Directors. Compliance with the code was indicated by the "Seal of Good Practice", displayed during closing credits on most United States television programs, and on some US TV station sign-on and sign-offs from 1952 to the mid-1980s.

The End

In 1976, the code's program standards were suspended after a Los Angeles federal judge ruled that the Family Viewing Hour violated the First Amendment. In 1979, the Carter Justice Department challenged the code's Section XIV time standards limiting advertising on children's programming, alleging that they “represented an unlawful effort to restrict supply of commercial availabilities and hence drive up prices for these spots.” They then brought an antitrust action against the NAB. After a summary judgment was handed down against the NAB in 1982 partially striking down Section XIV, the NAB and the Reagan Justice Department entered into a consent decree abolishing the time standards and the industry-wide limitations on the number and length of commercials. Under further threats of legal action by the Justice Department on the grounds the code violated the First Amendment and Fairness Doctrine, the NAB decided to eliminate the remainder of the Television Code as well as the Radio Code in 1983.

Legacy

The code paved the way for the development of the Broadcast Standards and Practices (BS&P) departments of the terrestrial broadcast networks (NBC, CBS, ABC) and most cable networks. After the Television Code’s demise and with the burden of self-regulation now falling to networks, the BS&P offices were forced to produce their own written codes which integrated some of the code’s concepts, recommendations, and rules.

In October 1990, the NAB Board of Directors issued a brief, simplistic “Statement of Principles of Radio and Television Broadcasters” that encourages broadcasters to “exercise responsible and careful judgment in the selection of material for broadcast.”

A scholarly discussion titled "Self-Regulation and the Media" by Angela J. Campbell (1999) examines media self-regulation and concludes that "Applying these five factors to digital television public interest responsibilities and privacy on the Internet, it concludes that self-regulation is not likely to be successful in these contexts."

References & Credits: Google, Wikipedia, Wikihow, WikiBooks, Pinterest, IMDB, Linked In, Indie Wire, Film Making Stuff, Hiive, Film Daily, New York Film Academy, The Balance, Careers Hub, The Numbers, Film Maker, TV Guide Magazine, Blurb, Media Match, Quora, Creative Skill Set, Chron, Investopedia, Variety, No Film School, WGA, BBC, Daily Variety, The Film Agency, Best Sample Resume, How Stuff Works, Studio Binder, Career Trend, Producer's Code of Credits, Truity, Production Hub, Producers Guild of America, Film Connection, Variety, Wolf Crow, Get In Media, Production Beast, Sony Pictures, Warner Bros, UCAS, Frankenbite, Realty 101, Careers Hub, Screen Play Scripts, Elements of Cinema, Script Doctor, ASCAP, Film Independent, Any Possibility, CTLsites, NYFA, Future Learn, VOM Productions, Mad Studios, Rewire, DP School, DGA, IATSE, ASC, MPAA, HFPA, MPSE, CDG, AFI, Box Office Mojo, Rotten Tomatoes, Indie Film Hustle, The Numbers, Netflix, Vimeo, Instagram, Pinterest, Metacritic, Hulu, Reddit, Locations Hub, NAB, 

THIS ARTICLE IS FOR INFORMATIONAL PURPOSES ONLY. THE INFORMATION IS PROVIDED "AS IS" AND BRUCE BISBEY MAKES NO EXPRESS OR IMPLIED REPRESENTATIONS OR WARRANTIES, INCLUDING WARRANTIES OF PERFORMANCE, MERCHANTABILITY, AND FITNESS FOR A PARTICULAR PURPOSE, REGARDING THIS INFORMATION. BRUCE BISBEY DOES NOT GUARANTEE THE COMPLETENESS, ACCURACY OR TIMELINESS OF THIS INFORMATION. YOUR USE OF THIS INFORMATION IS AT YOUR OWN RISK. YOU ASSUME FULL RESPONSIBILITY AND RISK OF LOSS RESULTING FROM THE USE OF THIS INFORMATION. BRUCE BISBEY WILL NOT BE LIABLE FOR ANY DIRECT, SPECIAL, INDIRECT, INCIDENTAL, CONSEQUENTIAL OR PUNITIVE DAMAGES OR ANY OTHER DAMAGES WHATSOEVER, WHETHER IN AN ACTION BASED UPON A STATUTE, CONTRACT, TORT (INCLUDING, WITHOUT LIMITATION NEGLIGENCE) OR OTHERWISE, RELATING TO THE USE OF THIS INFORMATION.

Seal of Good Practice/ Photo Credit: CPTB